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HEIGHT: 9 in (23 cm) WIDTH: 8.25 in (21 cm) DEPTH: 8.25 in (21 cm)
Mid 20th Century
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
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Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
An aluminum abstract sculpture signed by mid-century artist Chris Petersen, c.1970’s.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
A vintage cattail table-top sculpture in patinated brass.
Brutalist 1970s abstract wall sculpture designed in the Silas Seandel manner
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Brutalist style abstract sculpture in patinated bronze. Consisting of three shapes resembling figures.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
A monumental patinated and gilt bronze candelabra (gas lamp), produced circa 1880s by Henri Vian, with a sculptured cherub on an ormolu mounted marble pedestal.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
A Brutalist open work iron sculpture of a woman on a wooden base.
Art Deco gazelle sculpture in patinated brass-tone metal.
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Giacometti table lamps in a matte white finish.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of Barcelona chairs dating from ca.1970.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Organic Modern inspired amethyst on stepped silver plate base.
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