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9160
Good
HEIGHT: 16 in. (41 cm) WIDTH: 9 in. (23 cm) DEPTH: 6 in. (15 cm)
R330TR
Iron
Folk Art
1930s
United States
Early 20th Century
Brown
Wei Xiao Ming bronze statue called 'Shadow in the Spotlight.' Depicts a stylized human figure shielding himself with his arms.
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A modern sculpture in naturalist style, unsigned, depicting reeds and foliage.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
Raised decorative bowl made out of patinated bronze
A copper and brass Curtis Jere wall sculpture of an outdoor cafe
A Mid-Century Modern flower cart sculpture made by Curtis Jere in copper and brass on a wooden platform during the 1960s-1970s.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
A vintage circular spray-form sculpture in patinated brass on a cylindrical black marble base. The piece is by Curtis Jere.
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
Brutalist monumental sized metal flower sculpture consisting of three flower heads on a base with leaves.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
A brass Curtis Jere deer sculpture on an onyx base, signed C. Jere, and dated 1986.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
1970s mixed metals ice cream parlor with begging dog, cafe table and chairs and plant in pot. Signed in black script jasing.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
Bronze torso cast by renowned French sculptor Aristide Maillol circa 1960's. The sculpture is signed at the the base A.Maillol.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
A Renaissance inspired bronze sculpture of five singing putti playing musical instruments atop an elaborately carved architectural wooden stand.
Bijan wall sculpture in the shape of a cluster of trees in polished brass.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
Cat sculptures produced by Leonard Solid Brass Collection from Korea.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year. No marks or signature.
Georges Flamand (1895-1925) Art Nouveau patinated bronze sculpture of "Mutualite",
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
An antique Louis XIV style console table in untreated wood.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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