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HEIGHT: 22.5 in. (57 cm) DIAMETER: 6.75 in. (17 cm)
Brass, Glazed Ceramic
Mid century Modern
Mid 20th Century
1970s credenza in the manner of Maitland-Smith, veneered in tessellated peach stone.
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English 19th century Victorian era hall tree and mirror, classical brass frame.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
Restored pair of lamps by Quartite Creative in the style of James Mont Buddha heads in plaster, painted metallic
Atomic modern style 1960s chandelier, frame tubular in polished chrome.
Dutch Art Deco 1930s pottery lamp by Gouda, including original shade in mica.
A collection of fifteen satin glass vases, created by Italian designer Carlo Morettii, includes a variety of sizes and bright colors, circa 1970s, each with pencil necks over rounded bodies, on a single circular foot.
Atomic modern style 1940s pendant lights, with three staggered cylinder shades.
Brazilian mid-century modern bar cart manufactured by Novo Rumo. Features two tiers in jacaranda raised on a metal stand.
"Afternoon at Hinton's Market" by Jane Mihalik
This end and side accent table, produced, circa 1960s, includes triangular top in Italian travertine, on wedge form base in walnut, top detached from base. The table remains in very good condition, with minor presence of wear and scuffing to wood base.
An Austrian five-light brass chandelier by Emil Stejnar or Nikoll, c. 1950’s
Biomorphic Glass Coffee Table on Bronze Faux Bamboo Legs by Mexican artist Pepe Mendoza.
20th century modern lucite etagere.
An elegant pair of amber-colored, teardrop shaped Murano glass table lamps from the 1960’s, set on small metallic round bases.
A pair of Italian vintage table lamps by Seguso with blue, green clear and amber tinted Murano glass bodies and gilt wood bases.
Pair of tusk sculptures depicting ritual motifs.
A pair of French, early 20th Century gueridons in the neoclassical style, each featuring faux-malachite round top, with bordering gallery, above an ornate gilt metal tripod base, decorated with classical elements such as sphinxes, scrolls, anthemion, and masks of Hercules, on animal paw feet.
A pair of Brazilian mid-century modernist acrylic paneled sconces by Dominici.
Vintage 1960s wall mirror in the Hollywood Regency manner, scalloped mirrored panel frame
Likely produced, circa 1950s, this expressionist, mixed-media piece by Italian artist Remo Farruggio, is a bold and beautiful depiction of a nude woman in a hat, highlighted by multi-toned flashes of red, green, blue and brown.
Circa 1960's Swedish Modern hand-blown glass gray vase, by Ove Sandberg for Kosta, with stylized images of rams sandblasted to the interior and exterior of the lip.
A 1970's Italian circa small chandelier features six curled and frosted Murano art glass panels, each suspended by black metal frame arms with brass studs, attached to a metal frame and central pole.
A pair of custom-made sconces, each with gilt Murano glass leaves and single socket, mounted to a round back plate. Wiring and sockets to US standard, each requires a single candelabra base bulb. Very good condition, with original vintage glass; rewired with new metal work.
A pair of 1940s French Maison Jansen style arrow table lamps made of gilded bronze on a mahogany wood base.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
A mid-century modern green glazed porcelain lamp in the orientalist style with brass rings and base.
An early 20th Century bed, influenced by the style of 18th Century English designer Thomas Chippendale, features an arched wooden headboard, carved and gilted, with beautifully rendered Chinese style pagoda and ho-ho birds, and a printed image of Francois Boucher's 'The Four Seasons: Spring' (1755) in the center, carved and gilt rocaille and scrolling acanthus decorate the bed rails, and cabriole legs.
Three German pressed glass wall sconces, with flush mounts, produced during the 1970’s. Each beautifully faceted shade covers a single socket.
An elegantly feminine pair of sconces, produced by German manufacturer Palwa during the 1970’s, in gilt brass with crystal floral sprays.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
A vintage powder blue lounge slipper chair by Thayer Coggin, upholstered in naugahyde on a curved chrome base. Good overall condition, any wear consistent with age and use.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
A pair of Mid-century Swedish table lamps designed by Hans Agne Jakobsson, c. 1960’s, rendered in brass with perforated brass shades.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A vintage pair of teak side chairs with white linen seats and cane backs.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
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