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Age Appropriate Wear
Height: 33, Diameter: 6
Mid 20th Century
Vintage pair of lamps, each baluster form in crackle glazed ceramic with faux weathered finish.
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A pair of carved wood pedestal side tables with faux verde marble surface and leaf-styled bases, produced by the Widdicomb Furniture Company circa 1950’s for John Stuart.
Twelve finger bowls with included underplates in clear Steuben glass.
A pair of Hollywood regency round pillows with black and gold-toned feathers radiating from the center.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A square shagreen coffee table supported by a pedestal base. Cream with polished brass recessed stripe near the foot. In good vintage condition, consistent with age and use.
German modern 1970s light, manufactured by Peill & Putzler, 6 lights with surrounding cut-glass blocks on chrome.
A 1938 Murano glass vase made with rostrati technique by Ercole Barovier.
Guido Faleschin designed pair of linear wall mirrors with beveled glass inset within chrome frames, with beige toned glass panels to the top and bottoms.
An artfully modern Lucite sculpture of a horse head, fixed atop an illuminating pedestal, circa 1970-1980.
A vintage pair of table lamps, produced by Stiffel, each features double cluster sockets, tapered teak stem, with brass detail, on a raised circular brass base.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
Opaline Glass Vase produced by Barovier e Toso, circa 1940s, with vibrant cobalt interior, encased in light blue ribbed opaline.
A 1960s floor lamp in dark teak with an onion bulb base.
Soapstone bowl in a deep orange, carved with views of a mountain village.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
Vintage Buccellati textured curly leaf clip-on earrings in 18k yellow gold with carved rubies.
A wooden etagere produced in France during the 19th century.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
A vintage mid 20th Century 1960's large amber and orange art glass from Blenko glass company vase converted into a table lamp with glass finial
Mid-20th century pair of 1950s Italian porcelain lamps, as heraldic knight helmets.
Mid-Century Modern era 1950s pair of lamps, wood with brass panel accents
Continental European mirror (Possibly French or Italian), in the Baroque style, giltwood frame with classical architectural elements.
Arts and Crafts Movement inkwell in antique brass with a tent shaped pot mounted on an almond shaped base.
A collected group of five mid-century, multi-colored glass and resin pendant lights, including a pair of Japanese glass pagodas.
A vintage etagere with a faux antler off-white resin frame and four glass shelves. It is in good vintage condition with age appropriate wear; some scratches.
A Modern Mid Century blown glass chandelier by Orrefors with a clear molded glass waffle texture insert. Height is adjustable.
1950's Set of fireplace tools, in chrome with unique bias cut handles, includes brush, pick, tongs and shovel affixed around a hexagon base.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
Bracelet cuff with two trilliant shaped turquoise set in 14k gold, etched with line texture details. Stamped illegibly on the underside. Despite some distortion and tarnish this piece remains in good vintage condition appropriate to age and use.
A sculpture made from a bone colored rock crystal. Includes two detailed birds carved from black stone. Mounted on a blue marble base.
Organic Modern inspired amethyst on stepped silver plate base.
Pair of Chinese Qing dynasty trunks, produced late 19th - early 20th century period, in pigskin leather.
An elegant mid-century modern brass and steel umbrella stand with lion head and feet accents.
Early 20th century vintage locking toolbox, crafted 1920s-1930s, including tools and boxed steel bits.
This Japanese screen, produced during the 1920’s, depicts a scene of wild horses being tamed by their riders.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Giacometti table lamps in a matte white finish.
A pair of Barcelona chairs dating from ca.1970.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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