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HEIGHT: 37 in (94 cm) DIAMETER: 6 in (15 cm)
Brass, Gold Leaf, Lucite, Murano Glass
Mid 20th Century
A vintage pair of female figural sculptural lamps by Yasha Heifetz; these stunning torso figures in metal over block form pedestal bases, each support a single socket on elongated stem, creating a highly unusual surrealistic appearance. Good condition with some wear to the black bases.
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Modern Industrial style stainless steel dining table with an H-base.
A Mid-Century Modern floor lamp made of brass.
Aldo Tura two tiered bar or tea cart in lacquered goatskin
Neoclassical table lamps in glass with Corinthian columns and cut glass lower stems mounted on dark marble bases.
A Paul Evans cityscape floating shelf, or wall-mounted console with mirror in chrome with burl wood, circa 1970s.
A pair of1970's, Americantable lamps in brass with white enamel detailing. The body of each has an abstracted vegetal "leaf"form.
An amazing automaton titled, "Consensus 2013," which is the brain child of businessman and investment guru Sam Zell
Floor lamp entirely in chrome with articulating 'goose-neck' arc shape.
Mitsuo Kaji owl ring in 18k yellow gold with 21 diamonds on the chest and head.
Decorative African Art ancestral "Lega"multi-faced carved sculpture mounted on a wooden base.
American midcentury 'Feuilles d'Acanthe' wood coffee or cocktail table made by Terence Harold Robsjohn-Gibbings for Widdicomb.
A vintage Mid-Century chandelier produced in polished chrome with smoked Lucite details in the manner of Sciolari.
An abstract framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
Villeroy & Boch decorative vases in blue and green glass.
Mid-Century Modern Milo Baughman chrome magazine rack with four sleek rails creating two spaces to hold printed material.
A pair of vintage button tufted high quality leather Chesterfield sofas with brass nailhead detail in hunter green
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Black woven leather Barry Kieselstein-Cord bag with a gold tone poodle charm hanging from the closing flap.
German 1920s streamline moderne chandelier, frosted glass shade suspended from nickel frame.
Oded Halahmy sculpture titles 'Crowning the Universe' in aluminum cast. Signed and dated 2006.
In marble raised on linear Brazilian jacaranda base.
Crane sculpture in grass and brass by Luca Bojola in the Mid-Century Modern style.
American 1950s pair of Hollywood Regency lamps, baluster form in aqua-green porcelain.
Italian Mid-Century Murano glass fish sculpture with a body made of gold flecked clear glass with controlled bubbles
Ilias Lalaounis 18k yellow gold chain necklace.
A Brutalist sculpture of a bush made of torch cut metal and mounted on a stone base.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
This sculpture from the 1960s by Bill Lett depicts a Brutalist style silhouette of a charging bull.
Signed Streamline Moderne 1930s figural sculpture in plaster by Anton Pavlos, depicting a couple skiing down an incline.
A pair of vintage Murano glass Italian table lamps, produced circa 1950s by Barovier and Toso, with single sockets, on ribbed baluster form bodies, infused with gold leaf. Very good vintage condition, consistent with age and use; no visible chips or cracks; height to top of the socket measures 26".
Wooden Oceanic tribal mask. Almond shaped and carved to look like a face with a protruding tongue.
German Jugendstil monumental vase with African motif of ibex skulls with horns
A hand painted vintage ceramic pitcher depicting a man and woman and baskets of fruit, by La Musa.
Thai Rattanakosin period cast gilt bronze Buddha from the mid-19th century
American Arts & Crafts movement X-frame folding campaign stool attributed to American designer Morgan Colt.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
An antique Louis XIV style console table in untreated wood.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
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