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Height: 40, Width: 30
Canvas, Oil, Wood
Painting in oil on unlined canvas by Michel Rodde (French, 1913-2009) entitled "Hommage A Paris" from the 1970's. Michel Rodde was an acclaimed French artist who received honors and prizes worldwide for his work. He is most recognized for his Modern Impressionist style.
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An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
Large oil on canvas painting by renowned artist George Earl of a St. Bernard named “Tell”. This is one in a series of dog paintings done by the artist. Listed in William Secord’s book “Dog Painting: The European Breeds”. The elaborate frame is finished in gold leaf.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
Signed by Ernest Fiene and dated 1921 in the front lower right corner, this oil on board painting and depicts a small Connecticut village by a lake.
Julian Jackson paintings made of oil on board.
Signed expressionist oil painting on linen by Ruth Euster Berger (1915-1994), titled 'All Dressed Up'.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
This pair of English Romanticism seascapes are are both signed illegibly by the same master.
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
Expressionist portrait oil on board by Peter Keil (b. 1942), "Trocadero Bar" a.k.a. "Young Gay Man". Signed and dated 1983
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
May be sold individually, $2,000 ea. A pair of oil on canvas paintings by contemporary modern artist Walford Williams, with abstracted white-on-white depictions of skyscrapers, one notably the Chrysler Building. Markings include artist's signature [Walford Williams] to reverse, on the canvas frame. Good condition, consistent with age.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
This signed still life painting depicts apples spilling out of an upturned basket.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
A unsigned oil on canvas painting in the Abstract Expressionist style; painted on the back in the artist's original simple nailed wood frame
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
Peter Keil portrait of Jayne Mansfield painted in an expressive manner in colorful thick oil paint on canvas.
A three-panel folding screen dating from the late 19th century. Crafted in the French Régence style with giltwood frame carved with foliate diaper pattern on the bottom.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Giacometti table lamps in a matte white finish.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of Barcelona chairs dating from ca.1970.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Organic Modern inspired amethyst on stepped silver plate base.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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