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Height: 40, Width: 30
Canvas, Oil, Wood
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
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Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
An abstract oil on canvas painting title "Topsy Turvey"in vibrant blues and reds. The piece is signed and dated by artist jean Sampson
A framed expressionist oil portrait, titled on the back and signed, made by Peter Robert Keil
"Afternoon at Hinton's Market" by Jane Mihalik
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
A framed expressionist oil portrait, illegibly titled on the back and signed, made by Peter Robert Keil (b. 1942) in 1967 in Palma.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
Modern abstract 1970s portrait by Peter Keil, titled 'Subway Exit, New York, USA'
Abstract oil painting titled 'Spanish Woman', painted in 1978 by Peter Robert Keil in Palma.
A Mid-Century Modern framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
Peter Keil portrait of Jayne Mansfield painted in an expressive manner in colorful thick oil paint on canvas.
This signed painting by Francis Speight (American) is done in an Expressionist style.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
An abstract oil portrait of 'Lady With A Hat' by German artist Peter Keil, signed and dated.
Baroque portrait of an English lady dating from circa 18th century in a gilded frame.
1915 dated oil landscape in the Impressionist manner by American artist Ben Austrian (1870 - 1921); signed
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
American 20th century oil on canvas copy of a famous Guy Wiggins painting of a NYC snow storm.
Expressionist oil painting of a 'Bird' created in 1969 by Peter Robert Keil.
An Abstract framed oil on board portrait painting titled 'Lover Boy' painted by Peter Robert Keil.
20th century modern oil painting signed by French artist Jean Luc, depicting Henri Rousseau style jungle setting with animals congregating.
Expressionist framed oil painting titled 'Spanish Lady', painted in 1972 by Peter Robert Keil in Palma.
Framed abstract style oil portrait titled 'Lady Love From Spain', made by Peter Robert Keil (b. 1942) in 1967 in his Paris studio.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
This pair of English Romanticism seascapes are are both signed illegibly by the same master.
Futurist 1920s painting, depicting geometric figures, within an arched five-sided frame.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
An Art Deco style oil on canvas painting of a couple in a boat. The canvas is laid down on a thin plywood panel
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
Painting in oil on unlined canvas by Michel Rodde (French, 1913-2009) entitled "Hommage A Paris" from the 1970's. Michel Rodde was an acclaimed French artist who received honors and prizes worldwide for his work. He is most recognized for his Modern Impressionist style.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
A vintage modernist chandelier in brass.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Hammerman Brothers brooch in 18k yellow gold and platinum.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Organic Modern inspired amethyst on stepped silver plate base.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Salavetti disc pendant in 18k white gold.
A pair of Barcelona chairs dating from ca.1970.
An antique Louis XIV style console table in untreated wood.
Giacometti table lamps in a matte white finish.
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