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Height: 40, Width: 30
Canvas, Oil, Wood
A framed expressionist oil portrait, illegibly titled on the back and signed, made by Peter Robert Keil (b. 1942) in 1967 in Palma.
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A framed expressionist oil portrait, titled on the back and signed, made by Peter Robert Keil
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
This signed painting by Francis Speight (American) is done in an Expressionist style.
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
An abstract framed portrait oil painting titled 'Madame' painted by Peter Robert Keil.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Abstract framed neo-expressionist portrait painting titled 'Pablo Picasso', painted by Peter Robert Keil.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
African-American painter Beauford Delaney (American, 1901-1979), born in Knoxville, Tennessee, was greatly impacted by the Harlem Renaissance cultural arts revolution of New York City, holding numerous exhibitions and eventually moving to teach art as a WPA listed artist. By the 1950s Delaney, among many African American expatriates, would continue his artistic career in culturally enriched Paris. This untitled oil on linen depicts a impressionist waterfront landscape, a unique subject for the artist, best known for portraiture. Markings include artist's signature and date ['41, Beauford Delaney] to lower right corner. This work of art remains in very good condition, with no structural issues. Dimensions provided reflect painting without frame.
A unsigned oil on canvas painting in the Abstract Expressionist style; painted on the back in the artist's original simple nailed wood frame
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
Romanticist 19th century painting of a woman with tigers, after Gabriel von Max.
An abstract signed and framed neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
Signed expressionist oil painting on linen by Ruth Euster Berger (1915-1994), titled 'All Dressed Up'.
A framed expressionist oil portrait titled 'Lover Boy', made by Peter Robert Keil (b. 1942) in Berlin in 1967.
A framed and signed abstract expressionist oil painting depicting a 'Lady from New York'.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
A Triangle painting by mid-century artist David Barry Lewis.
Large oil on canvas painting by renowned artist George Earl of a St. Bernard named “Tell”. This is one in a series of dog paintings done by the artist. Listed in William Secord’s book “Dog Painting: The European Breeds”. The elaborate frame is finished in gold leaf.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
Mid-Century Modern 1970s signed oil painting 'Nina con Jaula' (Girl with a cage) by Alejandro Camarena (Mexican, 1942-2011)
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
An unusual unsigned cubist oil on board depicting a family in mourning in the manner of artist Fernand Leger, circa 1960.
A framed abstract style portrait, illegibly titled on the back, made by Peter Robert Keil (b. 1942) in 1967 in his Berlin studio.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
Julian Jackson paintings made of oil on board.
Abstract modern 1974 portrait 'Impressionen Palma' by Peter Keil (German, b. 1942); signed
Organic Modern inspired amethyst on stepped silver plate base.
A pair of Barcelona chairs dating from ca.1970.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Giacometti table lamps in a matte white finish.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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