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HEIGHT: 19.5 in. (50 cm) DIAMETER: 8 in. (20 cm)
Late 20th Century
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
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A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
An abstract limestone sculpture on a base of welded steel. Very good original condition. Indoor/outdoor use. Made by a Japanese artist in the U.S., unsigned, was part of an important sculpture collection.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Japanese Edo period pair of carved stone female Bodhisattva sculptures, hand painted
A chrome mid-century car bumper sculpture mounted on wood cube base.
Signed Streamline Moderne 1930s figural sculpture in plaster by Anton Pavlos, depicting a couple skiing down an incline.
A bronze sculpture of an abstract head shaped figure, made by German-born Mexican artist Mathias Goeritz (1915-1990) in the 1950s-1960s.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
Squirrel sculpture by Hungarian-American artist and sculptor Henry Schoenbauer (1895 Hungary - 1973), carved in stone.
Edward J. Walch (b. 1944, American) sculpture in nickel-plated bronze.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
A set of 3 carved walnut wall sculptures made by Tannley in Rhode Island in the 1979. Very good condition, no chips or major scratches. Each piece signed and dated on back 'Tannley 1979'
Majolica sculptures of life-sized Macaws produced in Italy during the 1950s.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
A Brutalist radiating spoke wall sculpture with round mirror centre in burnished brass toned metal.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
A carved wood sculpture of multiple interconnected feet, carved by Jose de Creeft around the 1930s-1940s in the Mexican School Style.
Dresden Porcelain macaw parrot sculptures.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Surrealist abstract patinated bronze sculpture in the manner of Wifredo Lam or Yves Tanguy.
Cubist manner mid-20th century figural sculpture, produced likely 1940s by an anonymous artist.
Modern faceted jewel art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Oded Halahmy sculpture titled 'Omer Shalom Oseh Shalom' crafted in cast aluminum and bronze.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
A large hand-carved wood sculpture of a hillbilly reading a recipe for moonshine.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
Curtis Jere wall-mounted sculpture in the shape of a tree branch.
French Art Deco period sculpted bronze bust depicting the head of a young boy
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An antique Louis XIV style console table in untreated wood.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
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