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HEIGHT: 35 in. (89 cm) WIDTH: 29 in. (74 cm)
Oil on Canvas
John Konstantin Hansegger
Mid 20th Century
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
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1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
A framed expressionist oil portrait titled 'Abstract Face', made by Peter Robert Keil (b. 1942) in 1969.
A Mid-Century Modern framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Signed and dated oil on board expressionist painting 'Small Devil' by Peter Robert Keil (b. 1942).
Futurist 1920s painting, depicting geometric figures, within an arched five-sided frame.
Abstract neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil. O
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
An Op Art oil on canvas painting with bright colors in the manner of Victor Vasarely, circa 1970.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
The piece was painted in the United States in 1925 by famed American painter and illustrator Edmund Franklin Ward (1892-1990)
Expressionist framed oil portrait painting, created in 1979 by Peter Robert Keil in his studio on Rue de Turenne near the Place de la Bastille in Paris.
Expressionist style oil painting "Christ Doomed" signed and dated 1959 by Joachim Probst (1913 - 1980)
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso.
Mid-20th century oil in the Impressionist manner by artist Henryk Dzienczarski, depicting boys playing in a cave
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
Painting in oil on unlined canvas by Michel Rodde (French, 1913-2009) entitled "Hommage A Paris" from the 1970's. Michel Rodde was an acclaimed French artist who received honors and prizes worldwide for his work. He is most recognized for his Modern Impressionist style.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
An abstract oil on canvas landscape with moon by John Hultberg (American, 1922-2005)
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
Modern Op Art oil painting, signed Richard M. David, dated 1973.
Abstract framed neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
A three-panel folding screen dating from the late 19th century. Crafted in the French Régence style with giltwood frame carved with foliate diaper pattern on the bottom.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
An Art Deco style oil on canvas painting of a couple in a boat. The canvas is laid down on a thin plywood panel
A framed expressionist oil portrait, titled on the back and signed, made by Peter Robert Keil
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
An antique Louis XIV style console table in untreated wood.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
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