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HEIGHT: 35 in. (89 cm) WIDTH: 29 in. (74 cm)
Oil on Canvas
John Konstantin Hansegger
Mid 20th Century
This signed still life painting depicts apples spilling out of an upturned basket.
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A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
Mid-Century Modern 1970s signed oil painting 'Nina con Jaula' (Girl with a cage) by Alejandro Camarena (Mexican, 1942-2011)
Abstract modern 1974 portrait 'Impressionen Palma' by Peter Keil (German, b. 1942); signed
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
An antique 19th Century oil on board portrait of two dogs by listed French artist C. M. R. Schreiber
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
Italian abstract expressionist oil on canvas by artist Remo Farruggio, entitled Cosmic, circa 1960s.
An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
Expressionist portrait oil on board by Peter Keil (b. 1942), "Trocadero Bar" a.k.a. "Young Gay Man". Signed and dated 1983
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
Oil on canvas portrait of philanthropist Dr. Albert Reid Leoux.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
Large oil on canvas painting by renowned artist George Earl of a St. Bernard named “Tell”. This is one in a series of dog paintings done by the artist. Listed in William Secord’s book “Dog Painting: The European Breeds”. The elaborate frame is finished in gold leaf.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
Julian Jackson paintings made of oil on board.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
An oil on board by Panamanian artist Chong Neto, depicting an abstracted and sensual reclining female nude; includes giltwood frame. Markings include artist's signature and date [Chong Neto/'66] to the lower right corner. Very good condition, wear consistent with age.
Expressionist oil on poster board 'Mephisto' by Peter Keil (German, b. 1942)
Signed expressionist oil painting on linen by Ruth Euster Berger (1915-1994), titled 'All Dressed Up'.
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
"Afternoon at Hinton's Market" by Jane Mihalik
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
Abstract framed neo-expressionist portrait painting titled 'Pablo Picasso', painted by Peter Robert Keil.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
An abstract oil on canvas painting title "Topsy Turvey"in vibrant blues and reds. The piece is signed and dated by artist jean Sampson
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of Barcelona chairs dating from ca.1970.
Giacometti table lamps in a matte white finish.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Organic Modern inspired amethyst on stepped silver plate base.
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