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10.5" H x 14" D
Late 20th Century
A Brutalist abstract sculpture by Stanyo Kaminsky in wood and iron.
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A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
Cubist manner mid-20th century figural sculpture, produced likely 1940s by an anonymous artist.
An expertly carved sculpture depicting a gracefully rotating male torso, rendered in Brazilian mahogany wood, circa 1970’s.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
An Italian Murano mid-century clear glass sculpture depicting a horse mounted rider with horse.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
Modern bronze and cast aluminium monumental sized menorah by Oded Halahmy, created in 1997.
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'My Own Light', created in 2010.
An abstract constructivist spiritual carved wood sculpture titled 'The Shrine', made by Polish-American sculptor Bronka Stern in the 1950s-1960s.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
A modern pair of bronze sculptures of a duo of dancers in movement, sculpted in an Expressionist figurative manner and fixed atop circular bronze bases.
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
Oded Halahmy sculpture titled 'Hopeful Lights for Peace' produced in bronze cast.
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
A sculpture by an unknown artist, of an abstract female figure with long trailing hair, large folded arms and Minimalist facial features, on a highly simplified body.
A detailed bronze sculpture by Frederic Remington, titled "Norther" and depicting a man on a horse braving winter weather, signed and placed on a marble base.
An early 20th century masterfully carved wood sculpture of an enchanting cat.
This modern ceramic sculpture of a grinning fat cat derives much inspiration from artist Fernando Botero (b. 1932), best known for portraying heavy-set figures and animals in his works of art. The sculpture's clean lines and minimal details marries well with the smooth matte glazed surface. Markings include signature and impressed stamp (albeit indiscernible) to the lower back of the cat. Despite minor presence of wear, including chips and scuffs to the surface, this piece remains in good overall condition.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
French Art Deco period sculpted bronze bust depicting the head of a young boy
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
Edward J. Walch (b. 1944, American) sculpture in nickel-plated bronze.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
Early 20t century French bronze sculptures, “Pan and Lover” on wood base.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
A Brutalist radiating spoke wall sculpture with round mirror centre in burnished brass toned metal.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
A Japanese Meiji period bronze elephant sculpture on original burl-wood base. Old repair to the tail; some paint chips to bronze trunk; unsigned.
Thai antique gilded and mirrored bronze Buddha statue from the 18th century, atop a wooden base.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
An antique Louis XIV style console table in untreated wood.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
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