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28" H x 24" W x 1.5" D
Mid 20th Century
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
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A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
Metal alloy reproduction plaque from Benin, Nigeria, of three protruding male figures wearing helmets.
Signed mid-century modern geometric abstract in wood, by Dan Miller comprising uniquely carved blocks.
An abstract creation produced circa 1960s, signed 'Sammy', the wall sculpture handcrafted of patinated brass.
Wooden Oceanic tribal mask. Almond shaped and carved to look like a face with a protruding tongue.
Marcello Fantoni singed Italian ceramic wall plaque.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
Wall sculptures depicting unicorns cast in patinated copper.
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
1960s Sailing Ship wall hanging in the Manner of Curtis Jere, Brutalist style.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
A wall sculpture composed of letterpress printing blocks, framed.
Mid-Century Modern mirror by David Gil for Bennington Pottery with unglazed ceramic stylized face.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
Candle sconces sculpted as silver laurel leaves.
A phenomenal pair of Brutalist mixed-metal relief plaques or wall-mounted sculptures with great texture and patina in the manner of Paul Vanders, circa 1970.
Wall mount cow skull sculpture in blue.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A large vintage brass wall mounted sculpture of a fan. The piece is by Curtis Jere. The piece is in good vintage condition with age appropriate wear; some scratches.
Brutalist wall-mount sculpture by Curtis Jere, signed and dated depicting sailboats.
Large Industrial style vintage door hinge made in brass, consisting of two functioning parts.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
Signed mid-century modern 1960s wood-cut abstract by Allen Noonan, featuring geometric.
A decorative plaster foot after the classical style.
Brutalist 1970s mixed metal wall mount abstract sculpture by Silas Seandel, crafted of torch cut brass and copper.
A pair of sconces in the shape of crowns. Crafted in clear rock crystal beads on brass base with stars on the band and dangling plum colored drops.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A circa 1970’s Brutalist wall sculpture, comprised of mixed metal leaves against a background of artistically arranged welded nails.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Organic Modern inspired amethyst on stepped silver plate base.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A pair of Barcelona chairs dating from ca.1970.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Giacometti table lamps in a matte white finish.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
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