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HEIGHT: 27 in. (69 cm) DIAMETER: 6.75 in. (17 cm)
Brass, Chrome, Lucite
Late 20th Century
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
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Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
A mid-century torch-cut steel sculpture in brutalist manner.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A finely-cast large Japanese Meiji-period bronze sculpture of a sea-hawk with stretched-out wings, made in the 1860s
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
Organic Modern inspired amethyst on stepped silver plate base.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of Barcelona chairs dating from ca.1970.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
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