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HEIGHT: 36 in. (91 cm) WIDTH: 19 in. (48 cm) DEPTH: 5 in. (13 cm)
An abstract creation produced circa 1960s, signed 'Sammy', the wall sculpture handcrafted of patinated brass.
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A Brutalist style abstract wall sculpture, designed in the manner of Curtis Jere, crafted of patinated geometric copper shapes.
Wooden Oceanic tribal mask. Almond shaped and carved to look like a face with a protruding tongue.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
French Empire sconces with swan motif in brass dating from the late 19th century.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
Wall sculptures depicting unicorns cast in patinated copper.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
A very artfully arranged mixed metal wall sculpture produced in the style of Curtis Jere, depicting a charming country landscape with log cabin and young girl in the foreground.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
Large Industrial style vintage door hinge made in brass, consisting of two functioning parts.
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
1970s Brutalist style wall-mounted sunburst sculpture, in the manner of Curtis Jere, crafted of mixed-metals.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
A vintage copper-toned metal wall mounted sculpture of the iconic Brooklyn Bridge. The piece is signed Curtis Jere and dated 1976.
Circa 1950s vintage set of letters, "gas" originally used for a gas service station sign, produced in the United States.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
A Modern style sunburst wall sculpture signed C Jere 1987. In great vintage condition.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
Marcello Fantoni singed Italian ceramic wall plaque.
Brutalist 1970s mixed metal wall mount abstract sculpture by Silas Seandel, crafted of torch cut brass and copper.
A circa 1970’s Brutalist wall sculpture, comprised of mixed metal leaves against a background of artistically arranged welded nails.
Brutalist manner Curtis Jere wall mount sculpture, crafted of abstract curved wrought metal; signed.
Signed mid-century modern geometric abstract in wood, by Dan Miller comprising uniquely carved blocks.
Wall mount cow skull sculpture in blue.
Art Deco rendering of the Christ child's baptism by artist Karoly Fulop in ceramic.
A pair of sconces in the shape of crowns. Crafted in clear rock crystal beads on brass base with stars on the band and dangling plum colored drops.
Candle sconces sculpted as silver laurel leaves.
A phenomenal pair of Brutalist mixed-metal relief plaques or wall-mounted sculptures with great texture and patina in the manner of Paul Vanders, circa 1970.
Brutalist wall-mount sculpture by Curtis Jere, signed and dated depicting sailboats.
A wall mounted sculpture in the form of a nude male torso. The piece is done in iridescent glazed ceramic and fiberglass. Signed and dated on the reverse.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Organic Modern inspired amethyst on stepped silver plate base.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Giacometti table lamps in a matte white finish.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A pair of Barcelona chairs dating from ca.1970.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Hammerman Brothers brooch in 18k yellow gold and platinum.
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