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HEIGHT: 13 in (33 cm) WIDTH: 7.5 in (19 cm) DEPTH: 4 in (10 cm)
Mid 20th Century
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
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Modern abstract sculpture from the Mid-Century era, portraying a group of three figures, possibly a family, in rough patinated bronze.
A vintage Curtis Jere brass pinwheel wall sculpture.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
An aluminum abstract sculpture signed by mid-century artist Chris Petersen, c.1970’s.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
A mid-century torch-cut steel sculpture in brutalist manner.
This female nude bronze is characteristic of the work of Art Deco Chicago Sculptor Emory Pius Seidel
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Raised decorative bowl made out of patinated bronze
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
Wei Xiao Ming bronze statue called 'Shadow in the Spotlight.' Depicts a stylized human figure shielding himself with his arms.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
Art Deco gazelle sculpture in patinated brass-tone metal.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
American Art Deco bronze sculpture by Robert Aitken depicting mother and child. 1920s.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
Art Deco desk size sculpture in bronze by Rudolph Henn depicting a young boy and squirrel. 1920s.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
A Paul Evans style mid-century welded steel Brutalist sculpture.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Giacometti table lamps in a matte white finish.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A pair of Barcelona chairs dating from ca.1970.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Organic Modern inspired amethyst on stepped silver plate base.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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