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HEIGHT: 29 in. (74 cm) DIAMETER: 11 in. (28 cm)
Mid 20th Century
A brass sculpture of a highly modernistic abstracted antelope skull, with beautifully elongated glass horns, set above a hexagonal base.
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Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
A brass sculpture, influenced by Miao Hook tribal talismans of China.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
Raised decorative bowl made out of patinated bronze
A brass Curtis Jere deer sculpture on an onyx base, signed C. Jere, and dated 1986.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Sculpture in a patinated bronze of an academic male nude reclining in neoclassical form , created in Italy circa 1930s by an unknown artist.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
Mid Century lifelike brass hanging sculpture of a longhorn steer skull, c. 1960's.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
A bronze sculpture of a stylized reclining female torso by celebrated French-born American modernist sculptor Gaston Lachaise (1882-1935)
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
This mixed metal Brutalist sculpture by Silas Seandel is torch cut and mounted on wooden base.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
A Brutalist style sculpture, created by Adolfo Passarella in the 1960's, in patinated bronze, on a square black laminate base, highly abstract, organic and bulbous design. The artist signature and date [PASSARELLA ADOLFO 1966] on the bottom of the sculpture. In very good condition, wear consistent with age and prior use.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A Japanese Meiji-era finely cast bronze sculpture of a mythical guardian of the sea
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Midcentury metal sculpture of a tree surrounded by three large mushrooms with a small green frog.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Giacometti table lamps in a matte white finish.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A pair of Barcelona chairs dating from ca.1970.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Organic Modern inspired amethyst on stepped silver plate base.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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