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HEIGHT: 33 in. (84 cm) WIDTH: 12 in. (30 cm)
Paint, Wrought Iron
Robert E. Kuhn
Mid 20th Century
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
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A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
Oded Halahmy sculpture titles 'Crowning the Universe' in aluminum cast. Signed and dated 2006.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
A modernist carved wood sculpture by American architect and artist Thomas E. Woodward (1932-2011). The sculpture appears to be made in American walnut and finishes at its top into a double Mobius band. Excellent original condition, signed on bottom "T Woodward"
A sculpture by an unknown artist, of an abstract female figure with long trailing hair, large folded arms and Minimalist facial features, on a highly simplified body.
An abstract constructivist spiritual carved wood sculpture titled 'The Shrine', made by Polish-American sculptor Bronka Stern in the 1950s-1960s.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
A bronze sculpture of an abstract head shaped figure, made by German-born Mexican artist Mathias Goeritz (1915-1990) in the 1950s-1960s.
A vintage jade sculpture from China depicting a horse in mid stride.
Abstract Expressionist bronze sculpture created circa 1960's by Greece-born New York artist George Koras (b. 1925), depicting an abstracted figure of a woman reading.
Contemporary modern late 20th century optical abstract sculpture in glass by Martin Rosol, signed.
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
A Mid-Century Modern sculpted marble statue depicting a ram's head.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
A Brutalist abstract sculpture by American artist Mike Feeney, made in the mid to late 20th century circa 1970s in cast and carved patinated bronze atop a wooden base. Label on bottom marked "Mike Feeney"
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
Oded Halahmy sculpture titled 'The Beauty of Horse Light' in cast bronze and aluminum.
Modern abstract marble 'Infinity' sculpture by American artist Renzo Palmerini.
American gilded age neoclassical Revival pair of sconces made from horned ram heads, probably re-purposed from former decorative facade metal elements.
The sleeping cat is one of the most well known Hirado porcelain works.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
An early 20th century masterfully carved wood sculpture of an enchanting cat.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Majolica toucan sculpture produced during the 1950s in Italy.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
A Mixmaster blender by Sunbeam, circa 1940s, converted into a neon light sculpture in the 1980s.
A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
American midcentury Folk Art sculpture of a squirrel by Benedict Tatti.
Modern cast aluminum menorah by Oded Halahmy, created in 2006.
A unique and ambitious rendering of a pair of Futurist styled male and female sculptures, circa 1970’s.
Majolica sculptures of life-sized Macaws produced in Italy during the 1950s.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
An antique Louis XIV style console table in untreated wood.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
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