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HEIGHT: 21.5 in. (55 cm) WIDTH: 21.5 in. (55 cm) DEPTH: 1.5 in. (4 cm)
Oil on board
Mid 20th Century
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
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Romanticist 19th century painting of a woman with tigers, after Gabriel von Max.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
1915 dated oil landscape in the Impressionist manner by American artist Ben Austrian (1870 - 1921); signed
Mid-Century Modern 1970s signed oil painting 'Nina con Jaula' (Girl with a cage) by Alejandro Camarena (Mexican, 1942-2011)
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
A 1951 sined oil on canvas of a clown by artist Philip Kran Paval.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
An abstract oil portrait of 'Lady With A Hat' by German artist Peter Keil, signed and dated.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
An oil on canvas painting by American artist Mildred Crooks entitled "Lady of the Night"and signed in the upper left corner. Mildred Crooks was born in Chicago in 1899 and worked in commercial arts in Chicago before moving to New York City. She Studied in Paris for a time and had an atelier there as well as in Cannes and exhibited regularly in Paris and New York. She painted throughout her life and exhibited all over the world before passing away in 1972.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
Painting in oil on unlined canvas by Michel Rodde (French, 1913-2009) entitled "Hommage A Paris" from the 1970's. Michel Rodde was an acclaimed French artist who received honors and prizes worldwide for his work. He is most recognized for his Modern Impressionist style.
This pair of English Romanticism seascapes are are both signed illegibly by the same master.
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Signed expressionist oil painting on linen by Ruth Euster Berger (1915-1994), titled 'All Dressed Up'.
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
A dynamic modern abstract painting with layers of bright colors in the manner of American artist Robert Natkin, circa 1970.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
An oil on canvas painting titled "The Jazz Singer"by Belgian artist Frans Siaens. The piece is signed in the lower left.
An abstract oil on canvas painting by American artist Jean Sampson. The piece is rendered in pale oranges and deep purples and is dated, signed and titled on the reverse.
A modern Italian oil on canvas painting of a young man, by artist Fabrizio Campanella, painted in circa 1980.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
Signed and dated oil on board expressionist painting 'Small Devil' by Peter Robert Keil (b. 1942).
Peter Keil portrait of Jayne Mansfield painted in an expressive manner in colorful thick oil paint on canvas.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
May be sold individually, $2,000 ea. A pair of oil on canvas paintings by contemporary modern artist Walford Williams, with abstracted white-on-white depictions of skyscrapers, one notably the Chrysler Building. Markings include artist's signature [Walford Williams] to reverse, on the canvas frame. Good condition, consistent with age.
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Giacometti table lamps in a matte white finish.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A pair of Barcelona chairs dating from ca.1970.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Hammerman Brothers brooch in 18k yellow gold and platinum.
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