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HEIGHT: 2.5 in (6 cm) WIDTH: 23 in (58 cm) DEPTH: 16 in (41 cm)
Brass, Mirror, Murano Glass
Mid 20th Century
This pair of green glass trays are from the 20th century and are made of solid heavy glass.
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This ashtray by Limoges Castel in 22k gold on deep blue depicts a pastoral scene featuring two lovers.
A pair of French Art Deco architectural centerpieces with amber and clear mirrored surfaces and a nickel on brass structure.
This mid century ceramic studio pottery dish features a thick lava glaze and featuring a green ground and purple fish. The base is covered with leather.
French serving tray marked Saint Gobain "Nova" Lyon.
Vide-Poche adapted from a Kang Hsi period tile from 1720.
This Art Glass ashtray in Art Deco style features a design with a sunken middle section for ashes.
A pair of tazza in silver plated bronze. The pieces sit on architectural Art-Deco inspired bases with a green resin ball detail and are stamped.
This Chinese export lozenge shaped Famille Rose dish features a beautifully designed floral design.
Mottahedeh style epergnes crafted in ceramic forms of men in Chinese dress.
A beautifully detailed glass mirror tray, elaborately etched with layers of floral motif, and Lucite handles, designed by Dorothy Thorpe during the 1940s-1950’s.
Vessel crafted in ceramic with two handles.
A multi-level epergne by Mottahedeh with a orientalist depiction of a Chinese man dressed in multicolored robes with the tobacco leaf motif. Include two gold trimmed baskets and several original labels. Hallmarks on the bottom of the base.
Venini tray in clear Torciglioni shaped glass.
A 20th century Arthur Court aluminum oval turkey platter or serving tray on an aluminum stand with ball and claw feet.
ray tables with matching stands from Italy circa 1970.
Ashtrays with chinoiserie style tobacco leaf motif.
Vintage vanity tray from the mid-century period, clear Murano glass gallery mounted to mirror as base.
Solid sterling silver Historicist Jean Puiforcat serving tray with double handles which dates from circa 1900 France.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A pair of Barcelona chairs dating from ca.1970.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Giacometti table lamps in a matte white finish.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Organic Modern inspired amethyst on stepped silver plate base.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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