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Age Appropriate Patina
Height: 10, Width: 6, Depth: 9
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
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German Jugendstil period amphora in neoclassical revival style, in brass repousse inside and outside, with bronze handles, legs, figures and sculpted bronze plaques,
Wei Xiao Ming bronze statue called 'Shadow in the Spotlight.' Depicts a stylized human figure shielding himself with his arms.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
A sculpture of an Egyptian funerary mask, possibly French in origin, produced in the early 1900s, with classically rendered bronze face
A vintage free standing steel cityscape or skyline sculpture, designed in the style of Richard Serra consisting of five free-standing buildings.
Two-dimensional sculpture in the modern manner, depicting a maiden abducted by the minotaur.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
French neoclassical revival 'Cupidon' bronze sculpture after French artist Auguste Moreau (1834-1917).
An Art Nouveau bronze sculpture of a girl on a swing, after Auguste Moreau.
A bronze sculpture of an abstract head shaped figure, made by German-born Mexican artist Mathias Goeritz (1915-1990) in the 1950s-1960s.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
A brass sculpture of a highly modernistic abstracted antelope skull, with beautifully elongated glass horns, set above a hexagonal base.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
Stainless steel & aluminum sculpture of a futuristic racing car by a known American artist, Daniel Fiorda; namely, from his series " Heavy Toys", where speed is reflected in the form of children’s toys that have been adapted to the adult psyche.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
Paris Arc de Triomphe de l'Étoile candleholder in a heavy dark metal.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Brutalist 1970s abstract wall sculpture designed in the Silas Seandel manner
Modern astrolabe armillary sphere in polished aluminum, made in the 20th century.
Eugene Rossi female bust sculpture in bronze on a red marble base.
Austrian Jugendstil - Art Nouveau bronze sculpted vase signed 'H. Babka'.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
An antique Louis XIV style console table in untreated wood.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
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