Please enter your email address below. You will receive a link to reset your password.
You have no items in your shopping cart.
Items are shipped shortly after customer payment has been received from processing. A tracking number will be provided upon notification of shipment. All shipments are fully insured. If you have any concerns about shipping, please contact firstname.lastname@example.org
For international shipments, the buyer is responsible for all customs, duties, or taxes that apply. We do not set or receive these fees. If you have any questions about international shipping, please contact our concierge service at email@example.com
HEIGHT: 50 in (127 cm) WIDTH: 21 in (53 cm) DEPTH: 8.5 in (22 cm)
Aluminum, Metal, Wood
Late 20th Century
A sculpture by artist Gerald Fellman, circa 1970s depicting two female figures in bronze, one consoling the other with incised details, mounted on a rotating wooden base. Markings include the artist's signature [G. Fellman] to the bronze base. This piece remains in very good vintage condition, wear to base consistent with age and use.
Show more info
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A Paul Evans style mid-century welded steel Brutalist sculpture.
Midcentury metal sculpture of a tree surrounded by three large mushrooms with a small green frog.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
Vintage Brutalist manner sculptural owl by Curtis Jere in patinated mixed-metals, signed and dated 1968.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
An Art Deco female bust with stylized features and great aged patina attributed to Walter Kantack. Her hair is a swirl of curving forms while her eyelashes are made up of thin strips of metal.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
An abstract sculpture by contemporary artist Cheryl Farber Smith, comprised of various geometric shapes in painted metal. Markings include artist's signature [C.F.S.] engraved to the base. This piece remains in very good condition, consistent with age.
A late 20th century abstract sculpture, created by Curtis Jere, features highly polished chrome body, rendered into a curved ribbon form, accented with ball motif in brass, on a cylindrical black marble base.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
A vintage circa 1980's Kinetic sculpture by artist Dan Murphy with polished sheets in brass and chrome that represent abstract flame, on a Lucite base, with accent lucite sphere. Markings include the artist's signature, [Dan Murphy, 1989] engraved to the base of the chrome sheet. In a very good vintage condition, wear consistent with age.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
A vintage Curtis Jere brass pinwheel wall sculpture.
A mid-century bronze sculpture depicting an Egyptian styled cat.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
A Brutalist style sculpture, created by Adolfo Passarella in the 1960's, in patinated bronze, on a square black laminate base, highly abstract, organic and bulbous design. The artist signature and date [PASSARELLA ADOLFO 1966] on the bottom of the sculpture. In very good condition, wear consistent with age and prior use.
A 1970’s posthumously cast bronze sculpture of a voluptuous female torso by Aristide Maillol (French, 1861-1944).
A Brutalist open work iron sculpture of a woman on a wooden base.
A circa 1980s and 1990s modernist sculpture of a Baboon, seated on a jagged boulder in patinated bronze, created by Argentinian sculptor Roberto Estevez.
A modernist bronze sculpture by Hattakitkosol Somchai (Bangkok, 1934-2000), depicting a female torso in mid-motion, evoking the Futurist style, mounted on a black lacquered wood base. Markings include [Somchai] and edition number [18/1000] to the top of the sculpture. This piece remains in very good condition, with age appropriate wear and patina.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A copper sculpture in Brutalist style of a mother with her child seated on a wooden bench.
A DeMott signed burnished metal sculpture of a sailboat on a quartz base, 20th century.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat. T
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage pair of teak side chairs with white linen seats and cane backs.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark c. 1970’s.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Our buyer guarantee allows you to shop with confidence at Showplace Antique + Design Center. This pledge to uphold our standard of excellence includes the following guarantees:
We take pride providing reliable service to all of our customers. If you have any questions about this guarantee or any of the services that we provide, please don't hesitate to contact our customer support specialists at firstname.lastname@example.org.