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HEIGHT: 39 in (99 cm) WIDTH: 84 in (213 cm) DEPTH: 7 in (18 cm)
Mid 20th Century
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
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A mid-1930s aluminum cast machine age sculpture, unsigned. Original rough finish with original painted wood base.
Handmade wire sculpture of a ship built on a wooden base, decorated with bronze ship rope holders and bronze rope design trim
Original bronze sculpture of a baby giraffe signed H.L. Bowen and dated 1985.
Modern bronze and cast aluminium menorah by Oded Halahmy, titled 'Peace Shalom Salaam (Study)', created in 1997.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
An abstract limestone sculpture on a base of welded steel. Very good original condition. Indoor/outdoor use. Made by a Japanese artist in the U.S., unsigned, was part of an important sculpture collection.
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
A cut stainless steel kinetic sculpture made in 1966 by Yaacov Agam in Israel. Some wear to surface. Hallmark and signature on back.
European 1940s bronze sculpture as a fountain, depicting a coiled snake.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
Oded Halahmy sculpture titled 'Hopeful Lights for Peace' produced in bronze cast.
A carved stone sculpture with 4 faces by Mexican School artist Jose de Creeft. Possibly made in the 1930s - 1940s. Signed in stone "J de C".
Sergio Bustamante (Mexican, Born 1942) surrealist-style sculpture of a shadow box in red wood with several cubby spaces.
A bronze abstract Brutalist sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in the 1980s in Mexico.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
Modern cast aluminum menorah by Oded Halahmy, created in 2006.
A detailed bronze sculpture by Frederic Remington, titled "Norther" and depicting a man on a horse braving winter weather, signed and placed on a marble base.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Modern abstract floor sculpture, circa 1970s, in the style of architect George Nakashima, of live-edge and carved wood.
Modernist style statue inspired by the 1931 Suprematist 'Sportsmen' painting by Russian Modernist artist Kazimir Malevich, painted in a bold selection of colors.
An early 20th century masterfully carved wood sculpture of an enchanting cat.
Modern bronze and cast aluminium monumental sized menorah by Oded Halahmy, created in 1997.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'My Own Light', created in 2010.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
An elegant modernist sculpture of a robed standing female, carved in unstained wood, and attributed to Albert Wein (American, 1915-1991).
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
An expertly carved sculpture depicting a gracefully rotating male torso, rendered in Brazilian mahogany wood, circa 1970’s.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
An antique Louis XIV style console table in untreated wood.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
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