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7.5 in Depth 8.25 in Width 25 in Height
Late 20th Century
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
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A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
A mid-century bronze sculpture depicting an Egyptian styled cat.
Raised decorative bowl made out of patinated bronze
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
Curtis Jere wall-mounted sculpture in the shape of a tree branch.
Mid-Century era Art Deco style sculptural otter in silver plate. Signed by artist.
Mid-Century Modern wall-mounted metal sculpture depicting a four piece jazz band.
Anthony Redmile Impala horns and skull mounted atop a pyramidal shaped patinated metal base.
Sculpture bust of a horse head crafted in cast metal with a bright polished silver-tone finish.
Surrealist abstract patinated bronze sculpture in the manner of Wifredo Lam or Yves Tanguy.
A bronze sculpture of a stylized reclining female torso by celebrated French-born American modernist sculptor Gaston Lachaise (1882-1935)
1970s mixed metals ice cream parlor with begging dog, cafe table and chairs and plant in pot. Signed in black script jasing.
Brutalist abstract wall sculpture in welded metal with a gilt patina, created by American sculptor and designer Silas Seandel (b. 1937).
Two small abstract modern sculptures, circa 1960s, inspired by the works of sculptor Milton Hebald, figures in patinated bronze.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
A bronze abstract sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in Mexico.
An exceptional Japanese Meiji-era bronze Ikebana vessel atop a moving-wave shaped base.
Mid-Century Modern duck sculpture made in metal by A. Blazquez.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
A vintage sculpture in bronze depicting two elephants in a landscape. The piece sits on a wood base. It is signed Robert Glen, 1976, 4/10.
Circa 1966 pair of mixed composition Labrador Retriever sculptures, signed Tuscany Studio.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
German Jugendstil period amphora in neoclassical revival style, in brass repousse inside and outside, with bronze handles, legs, figures and sculpted bronze plaques,
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
An abstract sculpture of multiple loops in metal. Original patina.
Steve Tyree sculpture of quails in hollow bronze.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An antique Louis XIV style console table in untreated wood.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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