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7.5 in Depth 8.25 in Width 25 in Height
Late 20th Century
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
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Rotating 1970s modern style bronze sculpture by Gerald Fellman, female abstracted figures with decorative incising.
Raised decorative bowl made out of patinated bronze
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A Brutalist copper-toned iron sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in spain until he and his wife emigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990.
Midcentury metal sculpture of a tree surrounded by three large mushrooms with a small green frog.
A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
A copper tree sculpture, mid-century, c. 1970’s in the manner of Curtis Jere.
A Brutalist Curtis Jere mixed-metal boat wall sculpture or hanging with expansive brass sails, circa 1970.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
Brutalist monumental sized metal flower sculpture consisting of three flower heads on a base with leaves.
A beautiful bronze sculpture of the head of a smiling Buddha, produced in Myanmar (Burma) in the early to mid 20th century.
A Mid-Century Modern flower cart sculpture made by Curtis Jere in copper and brass on a wooden platform during the 1960s-1970s.
Surrealist abstract patinated bronze sculpture in the manner of Wifredo Lam or Yves Tanguy.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Paul Suttman (American, 1933-1993) was widely known as a representational artist, working within a variety of mediums and styles, eventually travelling to Italy and France to pursue studies in bronze-casting. During the 1970s he had begun creating sculptural still life works, experimenting with space and dimensionality. This small scale sculpture, created for J. Walter Thompson Co., comes in polished bronze, depicting a still life of fruit, including an apple and pear, arranged with a mug and bottle form vessel, on a circular base. Markings include the artist signature [Suttman] to the base; to the bottom [24/300/ J. Walter Thompson Co. Commission/ Buon Natale 1973]. The sculpture remains in very good vintage condition, minor wear to finish consistent with age and use.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
A silver over bronze modernist figurative statue, in the style of Ernest Trova, c. mid 20th century, depicting a nude, arched, standing male gracefully balancing a kneeling nude female his torso.
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
An abstract sculpture of multiple loops in metal. Original patina.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
A bronze abstract sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in Mexico.
A cast bronze Medallion done in 1927 by Gaston Lavrillier, depicting George Washington and General Lafayette.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
A circa 1990's modern abstract sculpture, created by Curtis Jere, composed of dual sheets of brushed and polished steel, rendered into swirling 'ribbon' shapes, raised on a cylindrical black iron floor stand.
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
A Paul Evans style mid-century welded steel Brutalist sculpture.
A Japanese Meiji bronze vase with an exceptionally detailed applied cast alligator.
Sculpture by DeGroot made up of nails placed in a floating abstract form atop a white wooden base.
Ram head bust sculpture in polished brass.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A pair of Barcelona chairs dating from ca.1970.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
An antique Louis XIV style console table in untreated wood.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage modernist chandelier in brass.
Salavetti disc pendant in 18k white gold.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
Giacometti table lamps in a matte white finish.
Organic Modern inspired amethyst on stepped silver plate base.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
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