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30 in. H x 11.5 in. W x 8.5 in. D
Early 19th Century
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
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Sergio Bustamante (Mexican, Born 1942) surrealist-style sculpture of a shadow box in red wood with several cubby spaces.
Bernard Langlais sculpture of a seated female nude crafted in bronze; number four of eight limited edition sculptures produced in 1993.
A Brutalist radiating spoke wall sculpture with round mirror centre in burnished brass toned metal.
Surrealist abstract patinated bronze sculpture in the manner of Wifredo Lam or Yves Tanguy.
Modern abstract marble 'Infinity' sculpture by American artist Renzo Palmerini.
A 1940s Italian enameled tole wall hanging or wall-mounted sculpture of a lemon tree mounted in a silver pot.
An Italian Murano mid-century clear glass sculpture depicting a horse mounted rider with horse.
A 1940s Modernist sculptural "machine" with clear Lucite gears and case on a metal base.
A carved stone sculpture with 4 faces by Mexican School artist Jose de Creeft. Possibly made in the 1930s - 1940s. Signed in stone "J de C".
Cast of richly-patinated dark chocolate brown bronze and signed by the artist "Paul Richer".
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Modernist abstract sculpture of a twisting ribbon on an oblong black base.
Circa 1920s Bronze Sculpture on stepped marble base by French sculptor Marcel Bouraine.
Modern faceted jewel art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
American Brutalist abstract female nude sculpture made by Austin Productions.
A Mid-century abstract sculpture in textured bronze, created circa 1960's by D. Angelo, on a black marble base, signed.
Abstract biomorphic shaped wood sculpture in the style of Noguchi, on hard-stone base.
A singed screen printed plexiglass sculpture by Russian/American artist Ilya Bolotowsky (1907-1981), numbered 1/100, 1970.
Modernist style statue inspired by the 1931 Suprematist 'Sportsmen' painting by Russian Modernist artist Kazimir Malevich, painted in a bold selection of colors.
An expertly carved sculpture depicting a gracefully rotating male torso, rendered in Brazilian mahogany wood, circa 1970’s.
Brutalist abstract wall sculpture in welded metal with a gilt patina, created by American sculptor and designer Silas Seandel (b. 1937).
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An antique Louis XIV style console table in untreated wood.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
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