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HEIGHT: 6.75 in. (17 cm) DIAMETER: 3.88 in. (10 cm)
O. Sandberg for Kosta
Mid 20th Century
A glass vase with triangular base and purple fade.
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Italian modern pitcher crafted of Murano glass, circa 1950s - 1960s, drop form in green with clear ‘sommerso’ layer.
Mdina vase crafted in Spain during the 1970s.
20th century modern sculptural vase in terracotta with two enclosed heads.
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A 1950s amber and green 'submerso coroso' art glass vase by Seguso
A pair of unmatched bottle form ceramic vases by Italian designer Alvino Bagni for Raymor produced, circa 1960s, each with mottled two-tone glazes, in beige and brown. Marks include original Raymor label, with codes [4437 BAH/4437 BAG]. Very good condition, consistent with age and use.
A collection of fifteen satin glass vases, created by Italian designer Carlo Morettii, includes a variety of sizes and bright colors, circa 1970s, each with pencil necks over rounded bodies, on a single circular foot.
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1960s Mid-Century Modern vase by Zeller Glass, in amber colored blown glass.
Clear glass handkerchief style vase with blue rim.
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1960s blown glass floor vase by Blenko Glass of Milton, West Virginia, in bright turquoise.
Five stunning vases crafted in colorful Sommerso style Murano glass by the Mandruzzato Family.
Pink Murano glass 'Sommerso' Vase. A faceted octagonal form vase , including beveled details to four corners, with bright pink interior, encased in clear layer
A large hand blown glass 'Gulvase' vase by Otto Brauer produced, circa 1950s for Holmegaard of Denmark, in dark olive.
Brutalist 1980s pair of vases by Thomas Roy Markusen, warped form in nickel plated metal.
A modernist-style geometric lead crystal vase
A 1930s Deco Murano glass red and 24k gold vase made by Barovier & Toso.
An Italian modernist Hand-hammered copper vase, made in the 1920's. Good original patina; unsigned.
A mid-century modern vintage 1960s bright green Blenko Glass vase rippled detail, waisted with flared rim. Good condition, minimal age appropriate wear.
Vintage 1970s Waterford crystal vase with 'Clare' cut pattern
A pair of rounded ceramic vessels with raw finish. Crafted and signed by Wesley Anderegg.
Italian art glass, handblown vases in beautifully toned colors.
A Chinese circa 1890s late Qing dynasty period (1644-1912) cut-glass Peking vase with globe handles and banding to the lip and base, the body decorated with stylized floral motifs, in burgundy, yellow, green and rose, and blue butterfly.
In smoked glass with prismatic design.
Glass vase, artistically crafted with crisscrossing stripes in multiple colors.
Decanters after Blenko crafted in ombre amber glass; also called amberina.
A modern contemporary monumental scale vase, of baluster form in black glazed ceramic, inlaid with mosaic iridescent glass tiles.
Large architectural matte white (bisque) porcelain Op-Art vase, created for Hutschenreuther, Germany in the 1960’s. Designed to fool the eye by creating different shadows and lines depending on the light source. The Hutschenreuther insignia appears under the glaze on the underside of the vase.
Vessel by Lutz from the turn of the century, crafted in opalescent green.
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A round ceramic vase with bands of rust, blue, green and white, signed.
A Austrian Orientalist brass vase with multicolored enamel covering, possibly depicting a highly detailed panorama of the streets of old Jerusalem.
Nicholas Bernard ceramic pottery with a pattern of of cream and black stripes overlapping.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
Giacometti table lamps in a matte white finish.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Organic Modern inspired amethyst on stepped silver plate base.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
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