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HEIGHT: 31 in (79 cm) DIAMETER: 18 in (46 cm)
Early 20th Century
Danish Scandinavian modern 1960s desk in rosewood manufactured by H.P. Hansen Mobelindustri.
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A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A pair of laminate and wood nightstands from American of Martinsville’s ‘Dania’ collection, produced during the 1950’s-1960’s, and designed by Merton Gershun.
Snakeskin purse with long shoulder strap, died in shades of purple and deep pink. Includes Fuchsia lining and metal tag for Judith Leiber. In good condition with wear appropriate to age and use.
1920's 8-day mantel clock, designed in the Art Deco style by Omega, produced circa 1920s, with Arabic numerals, the face set inside a diamond form frame, flanked by two faceted grey marble triangles as supports, on stepped base.
Brutalist mixed metal sculpture, in the style of Curtis Jere, representation of a wave with surfer figure, mounted on a raw stone base.
Original Gio Ponti chandelier in multi-colored Murano Glass with chain and canopy.
A strikingly simple yet elegantly modern oblong console table, with linear polished brass base and glass top, produced during the mid-20th century.
A circa 1970's Venini two-tiered chandelier features two rows of glass prisms suspended off an oval shaped polished brass ring, affixed by two rods to a rectangular ceiling plate.
Danish Modern 1950s armchair, in the style of Flemming Lassen, wingback with white shearling
A brass sculpture, influenced by Miao Hook tribal talismans of China.
This outstanding Baroque oil on canvas painting in a period frame is a wonderful work of art by a Spanish or Italian old master depicts a beautiful young noble beauty in a XVII century attire.
A unique shield shaped wall mirror, exquisitely encased in an intricate frame comprised entirely of blown glass flowers and leaves, produced during the mid 20th century.
A Swedish, circa 1940s, table lamp by Bohlmarks, features brass shade and carved wood stem on circular brass plinth base.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
Italian modern 1950s Fontana Arte attributed chandelier, featuring ring form blue glass panels.
Candlesticks from the Mid-19th century in Russian 84° Silver created in the Baroque style.
A pair of mid-century vintage Lucite table lamps with brass diamond shaped detail.
A circa 1960’s Brazilian jacaranda wood round coffee table with smoked glass top, designed by Jorge Zalszupin for L’Atelier.
A late 19th Century Japanese three ways Satsuma vase with orange, pink, and gold ornate design. Some wear to the gold leaf. Marked on the bottom.
A pair of midcentury sconces of three tiers of discs in brightly colored Murano glass.
A pair of vintage gilded iron sconces with flower form sockets and starburst wall mount. They are in the style of Gilbert Poillerat
1960s Italian Modern ceiling fixture by Venini, with 'triedri' glass prisms.
This small modern lucite sculpture is comprised of hemispheres, cubes, and balls mounted on an octagon-shaped base.
A pair of Milo Baughman storage ottomans upholstered in bold, midcentury period fabric designed by Jack Leonor Larsen, circa 1970’s.
A circa 1970s highly linear table lamp by Italian designer Romeo Rega, composed of stepped polished brass and chrome layers. Very good vintage condition, consistent with age and use.
An ethereal midcentury baluster shaped table lamp, made of delicately swirled spun Murano glass in white, and infused with gold flecks.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
A pair of mid-century vintage aluminum hubcap table lamps with iron bases, c. 1960-70’s.
A vintage composite (paper-mache) figure of a lion. Overall in good condition with some spots of pitting and grazing.
A pink and zebra Lambertson Truex handbag.
1960s Italian modern chandelier, with nine hand blown amber Murano glass globes.
Signed abstract collage by New York City contemporary artist Gilberto Magpantay (Filipino, b. 1951), in mixed-media elements on wood board.
Produced circa 1960-1970 by Veca, this Italian pendant light, comes with a single light, surrounded by panels of curved smoked glass, creating a columnar waited shape, set by round chrome frames.
This work, "Women Free," by Edwina Sandys, would later be internationally recognized as an 15' installation at the Vienna United Nations Office.
Mid-century modern brass fireplace tools with log holder in brass, produced 1970s by Virginia Metalcrafters.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Organic Modern inspired amethyst on stepped silver plate base.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A pair of Barcelona chairs dating from ca.1970.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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