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HEIGHT: 11 in. (28 cm)
Early 20th Century
Sculpture of the Laughing Buddha Ho Tai carved in wood.
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Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
Japanese Meiji era Iki Ningyo 'Living Doll' manufactured late 19th to early 20th century.
A Japanese Meiji Period late 19th, early 20th Century carved boxwood turtle okimono
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A pair of Sculptural Japanese Foo Dogs made of Oribe porcelain from the late Edo Period. Good condition with age appropriate wear.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
Sculpture of a Monkey holding a peach and her infant; representing long life, nobility and prosperity.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
This Musha Ningyo (Boys' Day Figure) is very rare for its size.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
Produced around the late 19th century, this Chinese stone grinding wheel or millstone, is displayed on a beautiful iron decorative stand.
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
An antique Japanese bronze sculpture depicting an old man with walking staff. The piece dates from the Meiji period (1868-1912).
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
A beautifully intricate carving rendered in white jade, depicting a mountain with sixteen ‘Budai’ (laughing Buddha) figures, among flora and fauna.
A pair of Japanese carved wooden temple figures in the form of lions seated in traditional pose. The pieces have had some conservation and restoration to stabilize them.
An antique Japanese comic demon mask, Edo Period (1603 - 1868) c. 19th Century. This rare Buaku Kyogen mask was used in short, humorous skits within the Noh Dramas.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
A vintage jade sculpture from China depicting a horse in mid stride.
Square Japanese Sake Bottle finely detailed with a hand painted Fish.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
Giacometti table lamps in a matte white finish.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Organic Modern inspired amethyst on stepped silver plate base.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A pair of Barcelona chairs dating from ca.1970.
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