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HEIGHT: 11 in. (28 cm)
Early 20th Century
An antique Japanese comic demon mask, Edo Period (1603 - 1868) c. 19th Century. This rare Buaku Kyogen mask was used in short, humorous skits within the Noh Dramas.
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A rare Kyogen theater mask from the Japanese Edo Period, depicting a Nio Guardian King, 19th century, brilliantly carved and layered in oyster shell lacquer.
This Musha Ningyo (Boys' Day Figure) is very rare for its size.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
A late Meiji period Japanese Ikebana bleached willow wood vase.
A large 19th century Chinese carved jade mountain with Buddhas, birds and trees. Custom made wooden base. Excellent condition.
Japanese Meiji era Iki Ningyo 'Living Doll' manufactured late 19th to early 20th century.
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
Chinese Soapstone Carving of a Buddhist Mountain Scene, 20th Century. With a wooden base titled, "The Boulder." .
Burmese wood carving depicting a sculptural horse head, produced within the 19th century.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
Produced around the late 19th century, this Chinese stone grinding wheel or millstone, is displayed on a beautiful iron decorative stand.
Chinese late 19th century bronze foo dog sculpture repurposed as a lamp, on base in ebonized wood.
A pair of Sculptural Japanese Foo Dogs made of Oribe porcelain from the late Edo Period. Good condition with age appropriate wear.
A pair of monumental Chinese 19th century phoenix birds in cloisonne and enamel on bronze. Chinese characters on base. Excellent condition.
A beautifully intricate carving rendered in white jade, depicting a mountain with sixteen ‘Budai’ (laughing Buddha) figures, among flora and fauna.
An antique Japanese bronze sculpture of a horse. The piece dates from the Meiji Period.
A vintage jade sculpture from China depicting a horse in mid stride.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
A Japanese Meiji Period late 19th, early 20th Century carved boxwood turtle okimono
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
Mid-Century era pair of sculptural Indian elephants, embossed silver sheet.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
Arrangement of fifteen Japanese 19th century Buddhist Temple flowers in lacquered gold.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
Organic Modern inspired amethyst on stepped silver plate base.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
A pair of Barcelona chairs dating from ca.1970.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
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