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HEIGHT: 9 in (48 cm) DIAMETER: 6 in (15 cm)
Mid 20th Century
Sculpture in Murano glass by Livio Seguso entitled 'Le Forcale.'
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A vintage console table, top embossed in brown leather with alligator skin detail, on chromed steel base. The piece is in good vintage condition with age appropriate wear; some scratches.
A charming Harvey Probber-style side table with octagonal terrazzo top and rosewood tripod base, mid-century circa 1960’s.
Italian 1950s vase by Seguso, organic freeform style, crafted of amber Murano glass.
1930s glass trophy urn by Steuben, covered with teardrop finial.
This coffee table was designed by Lorin Marsh in the 1970's and has its original label.
Circa 1920's French wall mirror made of gilded metal and in the form of a stylized basket in the Art Deco Style.
Midcentury chrome floor lamp with a half-sphere upturned shade and matching base.
Early 20th century blue and white Japanese porcelain plate, octagonal hand-painted
A vintage circa 1960's wooden console table in Parsons style, produced by John Widdicomb, clad in faux tortoiseshell.
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Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
This beautiful Art Nouveau antique Amphora vase in matte finished turquoise ceramic, is set on elaborately detailed bronze mounting.
A multi-colored mid-century cloisonne bowl with intricate pattern
A hand-hooked Modernist style wall rug, original design after Robert Mallet-Stevens.
Produced in the 1950s this bleached mahogany sideboard designed by Tommi Parzinger features double doors, brass details, side compartments and a single drawer interior with a glass shelf.
A pair of unmatched bottle form ceramic vases by Italian designer Alvino Bagni for Raymor produced, circa 1960s, each with mottled two-tone glazes, in beige and brown. Marks include original Raymor label, with codes [4437 BAH/4437 BAG]. Very good condition, consistent with age and use.
A vintage Italian chandelier by Venini composed of five-tiers of clear, tubular glass suspended from a chrome frame.
A 1960s reverse etched glass paperweight from the Lapland Series by Kosta.
Marlene Stowe 18k yellow gold earrings.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
Loredano Rosin Seated Glass Sculpture of a Girl on a black circular base .
An industrial styled arched floor mirror, c. 20th century, comprised of mirrored squares encased within a painted steel frame.
A chrome mid-century car bumper sculpture mounted on wood cube base.
Mid-20th century pair of 1960s lamps, featuring abstract spiral lucite panels.
1960s Orrefors glass chandelier by Carl Fagerlund, featuring textured glass leaves
A vintage letter holder in brass.
A Barovier & Toso multi-color Murano glass flower flush fixture created in Italy circa 1950's.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Set of four Chinese Chippendale chairs by Milo Baughman, designed for the Design Institute of America (DIA) during the 1970s.
A c. 1930’s Roman Bronze Works sculpture depicting the Egyptian God Anubis, with foundry mark on base.
A vintage stool with black and white cow hide upholstery and ebonized legs. The stool is in good vintage condition with faint scratches and nicks on legs.
Japanese porcelain bowl with a colorful floral pattern.
Mid-19th century Victorian era ship's wheel, circa 1860s, as coffee table, of carved wood on tapered round legs.
gilded coiled metal to form a distinctive rope design.
Giacometti table lamps in a matte white finish.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Organic Modern inspired amethyst on stepped silver plate base.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A pair of Barcelona chairs dating from ca.1970.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
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