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HEIGHT: 45.5 in. (116 cm) DIAMETER: 20 in. (51 cm)
Mid 20th Century
Bowl features enclosed curved edges encompassed by different shades of light and dark blues.
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A pair of horseshoe shaped bookends in shiny brass.
Produced ca. 1970's, this modernist c-scroll coffee table is in the style of Karl Springer.
Pair of box form table lamps come in torch cut metal designed and manufactured in the Brutalist manner incised and gilded with various simplistic designs.
A pair of circa 1970’s wall sconces, made of amber colored bubble glass shades on flush mounted, single socket fixtures, with textured convex floral detail.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
Signed abstract manner 1979 portrait depicting the titular 'Pablo Picasso' by Peter Keil (b. 1942)
Hammerman Brothers brooch in 18k yellow gold and platinum.
Three glass pieces in olive green produced in Milton, West Virginia by Blenko Glass CO. during the 1960s.
A pair of andirons designed by Donald Deskey for Bennet Co in 1945 are made of wrought iron with brass detailing.
Roberta di Camerino purse with embossed leather detail on exterior, and brown and cream striped velvet handles. Includes small zipper pocket in interior compartment. Stamped on inside with Made in Italy by "Roberta di Camerino." Parting material on exterior due to wear
A pair silver plated table lamps with urn shaped bodies sitting atop tapered cube bases. Designed by Tommi Parzinger for Ligholier during the 1940’s.
A lovely and rare bronze antique table lamp, with a sculptural base featuring two dachshunds, and an art glass shade in beautiful bright red, early 20th century.
Modern 1970s Wycombe, Meyer & Co. armchairs on casters, featuring tubular 'loop' form frames in Lucite
Vintage circa 1950's Grosfeld House armchair, features carved mahogany frame, with elaborate scroll arms, and has been recently reupholstered in vintage William Morris fabric.
An Escada bag in a soft camel color with white stitching.
Garden stools decorated with Eastern inspired medallions and lions in white glazed ceramic.
Six tiered Austrian chandelier with gold plated frame and Swarovski crystals.
A late 20th Century pair of small side tables, each features black granite top on polished chrome frame, with crossed stretcher, decorated with acorn finials.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Massimo Scolari sconces, all three with nickel plated backs and many rows of small glass rods.
A vibrant peacock blue "L" decanter by Joel Myers for Blenko Glass Co.
20th century modern sculpture by Germaine Vuillequez, abstract form in colored marble on pedestal.
1970s Italian chandelier, with fifteen amber colored Murano glass triedre prisms suspended off black metal base.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
An iconic chandelier from the mid-20th century, this circa 1950’s Sputnik sixteen-light fixture features a brass nucleus center with protruding white enamled arms capped with polished brass.
Pair of Precedent Bachelor Chests by Edward Wormely for Drexel crafted in beautiful silver elm with brass pulls.
The sleeping cat is one of the most well known Hirado porcelain works.
A vintage Stilnovo pendant light with lacquered brass in red and glass diffuser.
A pair of vintage table lamps in bright blue ceramic with dark wood bases and necks. They are in good vintage condition with age appropriate wear; some scratches.
Pendant light in a round shallow saucer shape.
A black Judith Leiber clutch with a star clasp.
Pair of 1940s Italian lamps of Murano glass by Dino Martens, with 'mezza filigrana', detailed with aventurine.
A glamorous pair of Hollywood Regency style wall mirrors, in artfully carved scrolling acanthus leaves, and hand painted in orange and white, produced by John Widdicomb Furniture Company in the 1950’s.
This 1990's pair of male and female mannequins is clad in Volcom Stone patterned paper.
Giacometti table lamps in a matte white finish.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Organic Modern inspired amethyst on stepped silver plate base.
A pair of Barcelona chairs dating from ca.1970.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
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