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HEIGHT: 48in (122cm) WIDTH: 18in (46cm) DEPTH: 1.5in (4cm)
Oil on Canvas
An oil on board by Panamanian artist Chong Neto, depicting an abstracted and sensual reclining female nude; includes giltwood frame. Markings include artist's signature and date [Chong Neto/'66] to the lower right corner. Very good condition, wear consistent with age.
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Expressionist portrait "The Blue Lady" oil paint on poster board by Peter Keil (German, b. 1942), signed and dated 1985.
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
Baroque portrait of an English lady dating from circa 18th century in a gilded frame.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
A framed expressionist oil portrait titled 'Lover Boy', made by Peter Robert Keil (b. 1942) in Berlin in 1967.
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
Signed by Ernest Fiene and dated 1921 in the front lower right corner, this oil on board painting and depicts a small Connecticut village by a lake.
A framed Expressionist oil portrait titled 'To My Friend Pablo Picasso', made by Peter Robert Keil
Mid-Century Modern 1970s signed oil painting 'Nina con Jaula' (Girl with a cage) by Alejandro Camarena (Mexican, 1942-2011)
An abstract framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
Signed still life by American artist John F. Folinsbee (American, 1892-1972), produced 1960s, featuring a blue pitcher with flowers.
Expressionist framed oil painting titled 'Spanish Torero', painted in 1974 by Peter Robert Keil in Palma.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
Oil on canvas portrait of philanthropist Dr. Albert Reid Leoux.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso.
Produced circa 1960s by Italian artist Remo Farruggio oil on canvas entitled ‘Fantasy,’ depicts a sundry of bright geometric shapes against a mottled, multicolored field.
An abstract framed neo-expressionist portrait painting titled 'Matador', painted by Peter Robert Keil.
An abstract signed and framed neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
This outstanding Baroque oil on canvas painting in a period frame is a wonderful work of art by a Spanish or Italian old master depicts a beautiful young noble beauty in a XVII century attire.
An abstract oil portrait of 'Lady With A Hat' by German artist Peter Keil, signed and dated.
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
George Loring Brown (American 1814-1889) 'Sunset, Bay of Naples' oil on canvas painting created in 1877 and depicting the distant view of mount Vesuvius in the background, with the bay and city of Naples to the left and Virgil's tomb ruins on the right side.
A Mid-Century Modern framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
An abstract framed portrait oil painting titled 'Madame' painted by Peter Robert Keil.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
Framed abstract style oil portrait titled 'Lady Love From Spain', made by Peter Robert Keil (b. 1942) in 1967 in his Paris studio.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
A framed abstract style oil on canvas portrait made by Peter Robert Keil (b. 1942) in 1967 in his Palma studio.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
1960s mid-century modern abstract door panel, with geometric forms and red Vermillion field.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
An Op Art oil on canvas painting with bright colors in the manner of Victor Vasarely, circa 1970.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
An antique Louis XIV style console table in untreated wood.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
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