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HEIGHT: 6 in (15 cm) DIAMETER: 5 in (13 cm)
Late 20th Century
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
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A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
Rotating 1970s modern style bronze sculpture by Gerald Fellman, female abstracted figures with decorative incising.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
A Mid-Century Modern flower cart sculpture made by Curtis Jere in copper and brass on a wooden platform during the 1960s-1970s.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
A pair of decorative vases in patinated bronze, made by celebrated Austrian sculptor and founding member of the Vienna Secession Gustav Gurschner
A vintage cattail table-top sculpture in patinated brass.
The sculpture is depicting a semi-nude slender girl who plays two flutes at the time to bewitch a snake, wriggling at her feet.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
A Curtis Jere 1960s-1970s mid-century brutalist sculpture made of torched and welded metal. Signed Curtis Jere on base. Original burnished torched patina and rough finish.
A bronze sculpture by William J. Sewell of a nude woman. Very good condition, natural patina, signed and dated 1946.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A vintage circular spray-form sculpture in patinated brass on a cylindrical black marble base. The piece is by Curtis Jere.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
David Gerstein sculpture titled 'Soul Bird'.
Art Deco bronze sculpture by Opus-Cellini depicting a female nude from 1930s.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Cat sculptures produced by Leonard Solid Brass Collection from Korea.
A Brutalist open work iron sculpture of a woman on a wooden base.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Stainless steel & aluminum sculpture of a futuristic racing car by a known American artist, Daniel Fiorda; namely, from his series " Heavy Toys", where speed is reflected in the form of children’s toys that have been adapted to the adult psyche.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
This wall sculpture in the Brutalist Style is made of patinated brass.
Vintage circa 1970's abstract sculpture, created by artist William Bowie in the Brutalist style, is made of rough soldered green-patinated bronze.
Georges Flamand (1895-1925) Art Nouveau patinated bronze sculpture of "Mutualite",
Sculpture bust of a horse head crafted in cast metal with a bright polished silver-tone finish.
A mixed metal oil derrick comprised of torch cut and welded metal to form the rig. Fitted with various detailed ladders and scaffolds.
A modern sculpture in naturalist style, unsigned, depicting reeds and foliage.
A burnished brass toned metal and mesh sailboat sculpture, detailed with a ships wheel and rudder. Designed by Curtis Jere, 1970s.
An antique Louis XIV style console table in untreated wood.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
Salavetti disc pendant in 18k white gold.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A vintage modernist chandelier in brass.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Hammerman Brothers brooch in 18k yellow gold and platinum.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Organic Modern inspired amethyst on stepped silver plate base.
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