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HEIGHT: 8.5 in. (22 cm) WIDTH: 4 in. (10 cm) DEPTH: 3.5 in. (9 cm)
Mid century Modern
Mid 20th Century
Six-sided glass vase, produced circa 1950s-1960s by artist Edward Hald for Orrefors of Sweden, rendered using 'graal' technique (twice-blown).
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A Spanish majolica vase with a lion design
Cobal blue Anqtique French porcelain baluster Vase by Jean Pouyat for Limoges
Italian 1950s vase by Seguso, organic freeform style, crafted of amber Murano glass.
Created by master glass artist Ermanno Nason in 1928, this modernist glass piece in ombre shades of blue comprises of three geometric forms.
A vintage deep teal blue op-art ceramic vase with white interior by Hans Welling for Ceramano. The piece has a band of circular "knob"form details around the bottom and is signed and numbered on the base.
Vintage glass vase in a form of an urn on a lead crystal pedestal with acid etched figure of Europa and the bull.
Faceted Sommerso vases crafted in smokey grey Murano Glass.
A pair of Japanese Cloisonne vases with beautifully rendered depictions of fish, circa 1930, by And Jubei Studio.
Art Deco era Swedish modern 1930s 'Argenta' vase by Wilhelm Kage for Gustavsberg, crafted of mottled ceramic, with silver overlay fish decoration.
A Graffito technique vase made by Barovier in purple Murano glass with 24K gold flakes.
A 1950s amber and green 'submerso coroso' art glass vase by Seguso
Weller umbrella stand or vase cylindrical with etched floral details.
Murano glass vase, produced in Italy circa 1990s by Formia, was created in the Sommerso style and crafted into a uniquely rounded organic form, displaying a brilliant mix of colors; heavy in weight.
A large mid-century glass vase attributed to Carlo Scarpa. Good condition, no marks.
Large architectural matte white (bisque) porcelain Op-Art vase, created for Hutschenreuther, Germany in the 1960’s. Designed to fool the eye by creating different shadows and lines depending on the light source. The Hutschenreuther insignia appears under the glaze on the underside of the vase.
A large midcentury vase in hammered brass.
Very large, Art Deco style crystal vase in smoky gray, designed by Josef Hoffmann for Moser Glassworks, circa 1935 to 1940.
A round ceramic vase with bands of rust, blue, green and white, signed.
Produced in Italy between the 1950s and 1960s by Guido Gambone with mottled blue and white glazes.
A mid-century modern vintage 1960s bright green Blenko Glass vase rippled detail, waisted with flared rim. Good condition, minimal age appropriate wear.
A Austrian Orientalist brass vase with multicolored enamel covering, possibly depicting a highly detailed panorama of the streets of old Jerusalem.
A glass vase with triangular base and purple fade.
A pair of French Art Deco architectural centerpieces with amber and clear mirrored surfaces and a nickel on brass structure.
Clear glass handkerchief style vase with blue rim.
Stuart & Sons early 20th Century handblown glass vase.
A collection of fifteen satin glass vases, created by Italian designer Carlo Morettii, includes a variety of sizes and bright colors, circa 1970s, each with pencil necks over rounded bodies, on a single circular foot.
A round ceramic vase by Italian designer Alvino Bagni for Raymor, produced circa 1960s, with mottled two-tone glaze, in beige and brown. Marks include original Raymor label, with codes [4440 BAH/4440 BAG]. Very good condition, consistent with age and use.
A Murano glass bowl in fiery orange in voluptuous flower shape.
collection of vividly colored Italian art glass, hand blown vases; these gorgeous medium scale, bottle form vases, are available in shades of champagne, blue and light blue, with varying bases, in round, square and hexagonal shapes.
In smoked glass with prismatic design.
A Swedish free from cased glass vase by Vicke Lindstrand for Kosta Boda, produced circa 1960s, clear with bubble inclusion. Markings include [Kosta LH 1496] etched to the base. This vase remains in very good vintage condition and consistent with age.
Three 1950s German modern style vases, glazed pottery in varied shades of blue and red accents.
A monumental Modernist style hammered brass floral vase made by Italian designer Egidio Casagrande (1911-1962).
Gold toned woman figure posing on clear vase.
Mid-Century Italian oval form glass vase, produced by Seguso.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Organic Modern inspired amethyst on stepped silver plate base.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A pair of Barcelona chairs dating from ca.1970.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
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