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HEIGHT: 36.5 in (93 cm) WIDTH: 3.5 in (9 cm) DEPTH: 4.5 in (11 cm)
Chrome, Cut Glass
Peill and Ptzler
Mid 20th Century
A sculptural and whimsical aluminum lidded fish pitcher or ice bucket by Arthur Court, stamped at bottom, Mid-century.
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An antique print after an 18th century portrait of an aristocratic lady dressed in a fur-trimmed robe and muff, by British engraver Joseph Bishop Pratt (1854-1910), and published by Thomas Agnew & Sons.
A Judith Leiber handbag in green karung with rhinestone-edged hardware
Russian Wooden Double-Postage Stamp Box From 1940s, decorative long beaked birds on its edges.
Colorless, with applied starburst medallions, manufactured by Ferro-Toso-Barovier, Murano Italy, circa 1935. Base: 14.5" H X 11" diameter; overall: 30.25" H.
A Venetian tall cabinet in burl walnut dating from the 18th century.
A vintage iridescent Capiz shell chandelier with descending concentric circles.
A Mid-century modern partly glazed black sculpture in an anthropomorphic shape.
Alessandro Albrizzi Mid-Century Modern console table in chrome and glass.
Pair of Italian Hollywood Regency era commodes, produced 1940s, green onyx on bombe walnut bases.
An atomic era chandelier by Sciolari with cylindrical brass arms, each capped with Lucite prisms either on the top or bottom.
Robert Chatelain art vessel in Box Elder wood, resin and flecks of gold leaf.
A pair of mid-century Chinese ginger jar styled table lamps, in sunny yellow ceramic.
French Art Deco period chandelier with complementary elements in green and clear glass and decorative hanging fruit accents.
Italian art glass, handblown vases in beautifully toned colors.
A vintage circa 1950's pair of ceramic sculptural garden stools designed as elephants, with craquelure glaze.
Scandinavian Modern floor lamp by Bohlmarks of Sweden 1950s-1960s, with gooseneck.
Modern side table produced in a Z form completely in Lucite.
Correia art glass vase from California.
Roberta di Camerino purse with embossed leather detail on exterior, and brown and cream striped velvet handles. Includes small zipper pocket in interior compartment. Stamped on inside with Made in Italy by "Roberta di Camerino." Parting material on exterior due to wear
A vintage Architectural table lamp in chrome with alternating small and large layers of Lucite.
Vintage tronchi chandelier in the style of Venini in tubular clear textured glass pieces suspended from a polished chrome frame.
A mid-century half orb pendant produced in brass. Suspended with three chains on etch detailed hooks.
A pair of blue and white Asian inspired ceramic ginger jar table lamps with floral decoration, frosted glass shades to hold lamp shades on a wooden Pedestal Base.
Victor Vasarely " Trompette" serigraph.
Porcelain teapot from China in bright aqua and yellow glazes; decorated with blooms and a red-headed warrior.
Villeroy & Boch decorative vases in blue and green glass.
Neoclassical Sevres style 19th century table lamps in cobalt blue porcelain and bronze gilded in 22 karat gold accents depicting floral swags and the head of a satyr on each side.
Leon Rosen Custom brushed nickel and glass "Waterfall" coffee or cocktail table.
A 1980's Effetre International Company set of three Murano glass half moon wall sconces, in opaque white with translucent stripes and an amber glass border.
A 1970's Italian circa small chandelier features six curled and frosted Murano art glass panels, each suspended by black metal frame arms with brass studs, attached to a metal frame and central pole.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
John Konstantin Hansegger Columbia County plein air impressionist painiting of a snow scene.
Swivel chairs designed by Eero Saarinen for Knoll international in chrome with a golden yellow upholstery and propeller base.
A mid-century modern pair of Brazilian armchairs in caviuna wood frames on cylindrical legs.
Pair of 1950s Barbini Murano glass lamps, with stacked balls, detailed with bullicante bubbles and gold leaf.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
An antique Louis XIV style console table in untreated wood.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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