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HEIGHT: 31.63 in (80 cm) WIDTH: 78.75 in (200 cm) DEPTH: 19.75 in (50 cm)
Jens Quistgaard for Peter Lovig Nielsen
Mid 20th Century
Buffet after Paul Frankl in black.
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A classic Mid-century Modern credenza designed by Arne Vodder for Sibast Furniture during the 1950s.
A commode designed by Samson Berman in teak with a white top. Artfully crafted with multiple drawers, doors and compartments. Some wear appropriate to age and use but in overall good vintage condition.
Harvey Probber sideboard or credenza in a glossy black finish.
Credenza in pale walnut produced by White Furniture Co.
Modern three door credenza in a glossy black lacquered body with decorative mirrored panels to the front and sides, framed by intricate fretwork and crescent moons.
Mid-Century modern credenza by Edward Wormley, manufactured by Dunbar circa 1950s, in rich mahogany, featuring basket weave front.
A double nickeled square-tube base Art Deco console table
A vintage, circa 1950s wooden credenza on raised brass, designed by Paul McCobb for Calvin Furniture Co., including two three-panel doors, each with caning to the front, which open to reveal two drawers, above separated storage spaces. Markings include label [Calvin Grand Rapids/The Irwin Collection/designed by Paul McCobb], affixed to the interior left side drawer. Despite wear and spotting to the top brass frame, as well as some slight chipping to the wood body along the perimeter, and age appropriate patina to brass hardware, this piece is in overall good vintage condition.
1970s credenza in the manner of Maitland-Smith, veneered in tessellated peach stone.
Tommi Parzinger style credenza or cabinet in grasscloth with gold studs.
French 1940s Art Deco credenza by Jules Leleu, in mahogany, three doors mounted with gilt bronze.
American Mid-Century Modern credenza in teak wood, designed by Jens Risom in the 1970s
A vintage credenza or sideboard with raffia covered sliding doors and leather pulls. The piece is attributed to Florence Knoll. Vintage condition with wear commensurate with age and use; some loose veneer.
A long buffet or credenza produced in mid-century Brazil and made of lacquered jacaranda wood.
Milo Baughman credenza or sideboard with four drawers.
An Arne Vodder designed credenza, made of rosewood, with three sliding doors, interior shelves, and five drawers, Denmark, c. 1960’s.
Mid-Century Modern era credenza by T.H. Robsjohn-Gibbings, manufactured by Widdicomb Furniture Co. circa 1950s.
French Louis XV style bombe commode, with breche d'alep marble top and gilt bronze mounts, embellished with paintings of the gallant scenes in the Vernis Martin style.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
An antique Louis XIV style console table in untreated wood.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
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