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HEIGHT: 11 in (28 cm) WIDTH: 9.5 in (24 cm) DEPTH: 5.5 in (14 cm)
Mid 20th Century
Pair of geode bookends with sliced polished centers and rough exterior.
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A pair of violin bookends, perfect for the musician in your life.
Two interlocking resin sculptures in wave form.
The set consists of two bookends and a mantel clock in black marble as well as white and brown agate.
Bookends crafted from an amethyst sample. Features exposed crystal and rough edges.
A pair of sculptural bronze griffin bookends on wooden bases.
Pair of rhino bookends in wood.
Blenko bookends in yellow glass shaped like stylized elephants.
Designed by Frederic Weinberg, a pair of vintage brass Etruscan horses cast flat and styled with organic patterns, mounted on rectangular bases.
Each depicts sculptural scaled fish in clear glass.
Pair of natural specimen geode bookends in natural blue agate.
A pair of gilt-wood sculpted bookends in the shape of inverted Corinthian column heads
A set of bookends in hammered polished copper, marked Madia Israel.
A pair of vintage Curtis Jere sculptural bookends, entitled 'The Sexes', either depicting the male and female gender symbols on square bases, in gold gilt metal. Markings include signature [© C. Jere/1968], signed to the corner bases of both pieces. The bookends are in very good vintage condition, with age appropriate wear.
A pair of Art Deco horse bookends in metal with ceramic glaze. Excellent condition.
Agate bookends with sliced crystallized centers in shades of soft purple and grey with a dark textured exterior.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Mid-century modern abstract bookends by Ben Seibel for Jenfredware, metal with copper-plate finish
A fine pair of carved ebony Elephant shaped bookends.
A pair of 1950s Italian bronze bookends.
A pair of bookends with spheres mounted on classically styled pedestals, entirely crafted of carved and polished yellow marble; felt tabs to base. Very good condition, consistent with age and use.
Pair of brass bookends by P.M. Craftsman, depicting a reduced scale version of the famed Whaleman Statue in New Bedford
A pair of black and white yellow eyed cat faces bookends, enameled images on metal made by Fornasetti
These twentieth century bookends depict a group of six children playing tug of war.
A pair of horseshoe shaped bookends in shiny brass.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
An antique Louis XIV style console table in untreated wood.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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