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44 in.Hx36 in.Wx2.25 in.D
(112 cmHx91 cmWx6 cmD)
Oil on Canvas
Richard M. David
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
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An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
Abstract modern 1974 portrait 'Impressionen Palma' by Peter Keil (German, b. 1942); signed
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
African-American painter Beauford Delaney (American, 1901-1979), born in Knoxville, Tennessee, was greatly impacted by the Harlem Renaissance cultural arts revolution of New York City, holding numerous exhibitions and eventually moving to teach art as a WPA listed artist. By the 1950s Delaney, among many African American expatriates, would continue his artistic career in culturally enriched Paris. This untitled oil on linen depicts a impressionist waterfront landscape, a unique subject for the artist, best known for portraiture. Markings include artist's signature and date ['41, Beauford Delaney] to lower right corner. This work of art remains in very good condition, with no structural issues. Dimensions provided reflect painting without frame.
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
An abstract oil on canvas painting by American artist Jean Sampson. The piece is rendered in pale oranges and deep purples and is dated, signed and titled on the reverse.
20th century modern oil painting signed by French artist Jean Luc, depicting Henri Rousseau style jungle setting with animals congregating.
An oil on canvas painting by Rene Schmitt, signed in lower left, depicting a colorful scene of buildings in New York
A Triangle painting by mid-century artist David Barry Lewis.
Signed and dated oil on board expressionist painting 'Small Devil' by Peter Robert Keil (b. 1942).
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
A beautifully rendered portrait in profile entitle “The Artistocrats”, by American artist Stella C. Condon, singed lower right and dated 1913, in a period frame.
Signed cubist manner portrait 'Palma' in oil by Peter Keil (b. 1942)
Mid-Century Modern door panel, signed 'Karras' painted with geometric abstract forms
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Modern abstract 1973 portrait 'My Friend Pablo Picasso' by Peter Keil, oil in tones of grey
"Afternoon at Hinton's Market" by Jane Mihalik
Signed modern abstract 'Andy Warhol' oil portrait by Peter Keil (b. 1942)
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
Cubist oil painting signed 1972 portrait "Pablo Picasso with a Hat" by Peter Keil (b. 1942)
This signed still life painting depicts apples spilling out of an upturned basket.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
Assemblage painting; "Flagelation"oil on heavy gessoed arches paper by Ross Neher, an exhibited re-emerging artist.It is authenticated by the artist and signed verso.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
Expressionist oil on poster board 'Mephisto' by Peter Keil (German, b. 1942)
An oil on canvas abstract expressionist painting titled "Pushing Color". The piece is rendered in vibrant colors and is signed on the reverse by American artist Jean Sampson.
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
Raised in Lithuania, Kovarsky was educated in Paris and Palestine. The product of a religious family, he later moved to Safad, the ancient cradle of Jewish mysticism and Kabbalah, before settling in New York City in 1951. He entered the American post-war scene, where he was generally understood as an Israeli artist and included in the Boston Institute for Contemporary Art’s ‘Seven Painters of Israel’, which was billed as “the first full-scale manifestation of contemporary Israeli painting.” Shortly after a warm reception at the Boston Institute for Contemporary Art, Kovarsky was honored with a solo exhibit at the Jewish Museum. In his day, the renowned Poindexter Gallery in Manhattan represented him. This modernist figure study, produced circa 1950s, depicts a portrait of a long necked figure, rendered in the abstract Expressionist style. Markings include the artist's signature [Y. Kovarsky] to the bottom right corner of the canvas. The painting is in overall very good condition, consistent with age; giltwood frame comes included, some minor wear to corners.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A vintage pair of teak side chairs with white linen seats and cane backs.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
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