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16.25"W X 1.5"D X 26.75"H
Oil on Paper
Late 20th Century
This signed still life painting depicts apples spilling out of an upturned basket.
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An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
African-American painter Beauford Delaney (American, 1901-1979), born in Knoxville, Tennessee, was greatly impacted by the Harlem Renaissance cultural arts revolution of New York City, holding numerous exhibitions and eventually moving to teach art as a WPA listed artist. By the 1950s Delaney, among many African American expatriates, would continue his artistic career in culturally enriched Paris. This untitled oil on linen depicts a impressionist waterfront landscape, a unique subject for the artist, best known for portraiture. Markings include artist's signature and date ['41, Beauford Delaney] to lower right corner. This work of art remains in very good condition, with no structural issues. Dimensions provided reflect painting without frame.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
Abstract framed neo-expressionist portrait painting titled 'Pablo Picasso', painted by Peter Robert Keil.
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Signed by Ernest Fiene and dated 1921 in the front lower right corner, this oil on board painting and depicts a small Connecticut village by a lake.
Continental European early 19th century oil painting depicting a portrait of a man wearing clerical dress.
A signed original post-impressionist oil on canvas by artist Marcel Roche (French, 1890-1959), depicting a colorful theatrical couple surrounded by vibrantly rendered flowers. Signed lower left.
Modern Op Art oil painting, signed Richard M. David, dated 1973.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
An Abstract framed oil on board portrait painting titled 'Lover Boy' painted by Peter Robert Keil.
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
An oil on canvas painting of a reclining partially nude woman and two cats in an interior scene. The piece is signed and dated (1931) in the lower right. Fernand Gaston Longchamp was an impressionist and expressionist artist born in America to a French mother and Cayuga-Iroquois father. His family moved to France around the time of Gaston's birth and his father, an artist himself, was acquainted with many prominent artists in Paris such as Renoir, Signac and Seurat. Gaston would eventually apprentice with his father and became familiar with these artists himself. By fourteen he was working with painters in Montmartre and benefited from insights from Raoul Dufy, Georges Braque, Henri Matisse and others. He worked with Picasso painting stage designs for the Russian Ballet in 1911 and with Marc Chagall painting scenes for Stravinsky's Firebird. He briefly attended the Academie des Beaux Arts before returning to America in the 1920s where he would go on to become one of the foremost set designers in the United States. He set up a studio in Kintnersville, Bucks County, Pennsylvania where he worked prolifically until retiring in the 1970s. He passed away in 1986.
A framed and signed abstract expressionist oil painting depicting a 'Lady from New York'.
A Triangle painting by mid-century artist David Barry Lewis.
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
Henry Clarence Pitz (American, 1895-1976) "Dancers Backstage" Oil on canvas Signed lower left Sight: Height 30"X width 22" Framed: Height 39"X width 31" American artist Henry Clarence Pitz, born 1895 in Philadelphia, Pennsylvania, had a budding interest in art from an early age, going on to attend the Philadelphia Museum College of Art in 1914-1918, and the Spring Garden Institute. Following his services in the Army Medical Corps during World War I, he went on to become a published illustrator as well as author of over 160 books. As a painter, his uniquely expressionistic works portrayed a broad range of scenes and narratives. In this painting are three figures, identified as dancers, set in the crowded backstage space, their posture natural and unrehearsed, unlike how they would appear before an audience. Markings include [Henry C. Pitz] to the lower left corner. Despite presence of wear to the canvas, this painting remains in good condition.
A framed Expressionist oil portrait titled 'To My Friend Pablo Picasso', made by Peter Robert Keil
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
An abstract Expressionist framed portrait oil painting titled 'Abstract Face' painted by Peter Robert Keil.
May be sold individually, $2,000 ea. A pair of oil on canvas paintings by contemporary modern artist Walford Williams, with abstracted white-on-white depictions of skyscrapers, one notably the Chrysler Building. Markings include artist's signature [Walford Williams] to reverse, on the canvas frame. Good condition, consistent with age.
Oil painting entitled "The Inlet" by New York artist and illustrator Albert Sway (1913-2003) in 1949.
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
An expressionist rendering of three wild horses by American artist William Meyerowitz (b.1887- d.1981).
An abstract oil on canvas painting by Jean Sampson title "Salome". The piece is rendered in vibrand reds, yellows and purples and is signed and dated on the reverse.
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
This signed painting by Francis Speight (American) is done in an Expressionist style.
1900s oil painting by Carleton Wiggins depicting an impressionist landscape with sheep grazing
An abstract expressionist painting dating from the 1980’s, heavily layered with rich tones of scarlet, magenta and oxblood.
Mid-20th century oil in the Impressionist manner by artist Henryk Dzienczarski, depicting boys playing in a cave
A 1951 sined oil on canvas of a sad clown by Danish-born artist Philip Kran Paval.
Salvatore Anthony Guarino (1883 - 1919), a known Italian-American completed this portrait in 1904, a year after Whistler's death.
An abstract framed portrait oil painting titled 'Madame' painted by Peter Robert Keil.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Organic Modern inspired amethyst on stepped silver plate base.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Giacometti table lamps in a matte white finish.
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