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HEIGHT: 45in (114cm) WIDTH: 40in (102cm) DEPTH:13in (33cm)
Mid 20th Century
A late 20th-century Brutalist mixed metal wall sculpture in a sunburst design inspired by Curtis Jere.
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Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Unique Guive Khosravi Smoking Space Man Robot artwork inspired by street art, tattoos, and pop culture.
Metal alloy reproduction plaque from Benin, Nigeria, of three protruding male figures wearing helmets.
1970s Silas Seandel Brutalist wall sculpture, of abstract form, crafted of hand-wrought mixed-metals, with enameled and gilt details.
Howard Miller Mid-century Modern illuminated time table world clock, made by the Howard Miller Clock Company in Michigan in the mid-20th Century.
Brutalist wall-mount sculpture by Curtis Jere, signed and dated depicting sailboats.
A pair of lion heads molded in white plaster. Each lion's mane spreads out across a lozenge shaped tile that makes up the background of the reliefs.
Mid-Century Modern mirror by David Gil for Bennington Pottery with unglazed ceramic stylized face.
A very artfully arranged mixed metal wall sculpture produced in the style of Curtis Jere, depicting a charming country landscape with log cabin and young girl in the foreground.
Large Industrial style vintage door hinge made in brass, consisting of two functioning parts.
A cast bronze depiction of the head of King Sargon, ruler of the Iraqi Akkadian Empire. Cast in the late 20th century.
A wall sculpture composed of letterpress printing blocks, framed.
Art Deco rendering of the Christ child's baptism by artist Karoly Fulop in ceramic.
A vintage copper-toned metal wall mounted sculpture of the iconic Brooklyn Bridge. The piece is signed Curtis Jere and dated 1976.
French Empire sconces with swan motif in brass dating from the late 19th century.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
A Mid-Century Modern brass wall sculpture in the style of Silas Seandel, in the shape of a large sunburst.
Wall sculpture in the Brutalist manner, signed (illegibly) and dated 1975, of abstract form, crafted of mixed metals.
A phenomenal pair of Brutalist mixed-metal relief plaques or wall-mounted sculptures with great texture and patina in the manner of Paul Vanders, circa 1970.
This copper sunburst wall sculpture is inspired by Curtis Jere designs.
A wall mounted sculpture in the form of a nude male torso. The piece is done in iridescent glazed ceramic and fiberglass. Signed and dated on the reverse.
A circa 1970’s Brutalist wall sculpture, comprised of mixed metal leaves against a background of artistically arranged welded nails.
Brutalist wall sculpture in the style of Curtis Jere, abstract geometric mixed metals, comprising steel and brass.
Brutalist style Curtis Jere wall sculpture, after the circa 1970s 'Urchin' (Oursin).
A pair of sconces in the shape of crowns. Crafted in clear rock crystal beads on brass base with stars on the band and dangling plum colored drops.
A copper and brass Curtis Jere wall sculpture of an outdoor cafe
A decorative plaster foot after the classical style.
Candle sconces sculpted as silver laurel leaves.
An abstract creation produced circa 1960s, signed 'Sammy', the wall sculpture handcrafted of patinated brass.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
Circa 1950s vintage set of letters, "gas" originally used for a gas service station sign, produced in the United States.
A large vintage brass wall mounted sculpture of a fan. The piece is by Curtis Jere. The piece is in good vintage condition with age appropriate wear; some scratches.
A large vintage Russian sculptural medallion architectural element depicting a King surrounded by script. The piece is in good vintage condition with age appropriate wear; some scratches and loss of finish around back edge.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Organic Modern inspired amethyst on stepped silver plate base.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
An antique Louis XIV style console table in untreated wood.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A pair of Barcelona chairs dating from ca.1970.
Giacometti table lamps in a matte white finish.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
Salavetti disc pendant in 18k white gold.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage modernist chandelier in brass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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