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HEIGHT: 42 in. (107 cm) DIAMETER: 8 in. (20 cm)
Mid 20th Century
Cat sculptures produced by Leonard Solid Brass Collection from Korea.
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A highly modernistic fireplace arrangement, produced circa 1980s, including a pair of andirons and a set of tools on stand, with brush, shovel and poker, in mixed metals, wrought iron and brass.
Soapstone bowl in a deep orange, carved with views of a mountain village.
Tiffany & Co. necklace from the Ziegfeld Collection in onyx, silver and pearl.
Two sets of six glasses by Imperial Glass. Includes one set of 'On the Rocks' glasses (#17-12: 3.25" D x 3" H) and a set of 'Highball' glasses (#17-10-06: 2.75" D x 6" H).
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
French 1940s Art Deco credenza by Jules Leleu, in mahogany, three doors mounted with gilt bronze.
Decorative box made of brilliant cut crystal.
1950s Italian brass mirror in the Hollywood Regency manner, of shield form with acanthus motif.
Atlas cuff or bangle by Tiffany & Co. in 18K Yellow Gold with raised Roman numerals. The interior has markings that read "Tiffany & Co Ⓒ 1995, 750 Italy."
Produced in the 1960s by Venini, this egg shaped pendant is decorated with spiraling bands of brown and white.
An original signed silkscreen by Erte; numbered 299/300. Titled 'Debutante'
A Hollywood Regency table lamp made in glazed ceramic and depicting a standing Buddha.
A chrome mid-century car bumper sculpture mounted on wood cube base.
An Italian mid-20th century Murano glass chandelier by Mazzega, with clear and amber colored glass shield shades and chrome frame.
This Charles Hollis Jones coffee table in lucite has a glass top as well as accents in brass present on the corners.
A set of three Italian Murano glass leaf sconces, in the Hollywood Regency style.
A porcelain vase with red floral decor
Italian 1940s Venetian mirror in the Hollywood Regency manner, with etched decoration.
A small Mid-century enamel on copper painting, framed in a wooden frame.
Sculptural brush pot as tree trunk, carved from green hardstone.
A vintage pair of blown glass table lamps, designed by Paul Mayen circa 1970’s.
A vintage composite (paper-mache) figure of a lion. Overall in good condition with some spots of pitting and grazing.
A vintage Tiffany & Co. brooch in shape of a bundle of wheat, made in 18K yellow gold.
Brazilian quartz obelisks crafted in polished rock crystal.
Tall and sculptural pottery lamp in the manner of Mariana von Allesch, with beautiful pigmentation in a celadon and ocres glaze.
Art Deco star lamps in silvered bronze and black marble with three candelabra style sockets each.
1930s glass trophy urn by Steuben, covered with teardrop finial.
Danish sugar bowl with ebony handles and beaded sockets by Georg Jensen Silversmiths of Copenhagen, Denmark was produced in the period of 1935 - 1944 (Model: 80F).
Danish Royal Copenhagen vases and plates in crackle finish porcelain.
Late nineteenth century brass bell pull with newly upholstered yellow fabric in a scrolling floral pattern.
A pair of abstract sculptural table lamps, produced circa 1970s by Laurel Lamp Company, crafted of polished nickel.
Chinese Peking imperial yellow glass moon flask shaped vase with high relief motif of bats and peaches on a cracquelure design background.
Mid-century modern 1960s Thayer Coggin sofa, with off-white boucle upholstery.
A 21st century custom sunburst mirror made up of mirrored pieces of different sizes that come together to form this eye-catching wall mirror.
Brutalist abstract steel sculptural bird by Curtis Jere, c. 1970s
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An antique Louis XIV style console table in untreated wood.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
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