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HEIGHT: 42 in. (107 cm) DIAMETER: 8 in. (20 cm)
Mid 20th Century
Tod's cream colored purse with embossed snake skin pattern. Includes Tod's logo pressed into the front and on interior. Has cream colored interior lining with lipstick stains. In good condition with wear appropriate to use.
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Japanese Meiji period pair of gamecocks, early 1900s, in bronze with silver gilt finish.
Austrian majolica plate by Schutz Blansko dating from the late 19th century.
An Industrial style wall mirror made from an old aluminum airplane component or cowling
A circa 1960s Danish modern coffee table by designer Henning Norgaard for Komfort features rosewood frame and glass top.
A vintage copper-toned metal wall mounted sculpture of the iconic Brooklyn Bridge. The piece is signed Curtis Jere and dated 1976.
A Judith Leiber handbag in green karung with rhinestone-edged hardware
Mid-Century Modern era 1950s pair of Adrian Pearsall 'Captain's Chairs', upholstered in orange fabric
French 1940s Art Deco credenza by Jules Leleu, in mahogany, three doors mounted with gilt bronze.
A Mid-century faux tortoise finished Asian styled two door cabinet with brass detailing, c. 1970’s.
Two-tiered Lorin Marsh circular gueridon with dangling brass tassel motif.
A neoclassical rectangular mirror with a gilt bronze frame.
A pair of 21st century hammered pewter and brass table lamps on Lucite bases.
A pair of Barcelona chairs dating from ca.1970.
Burtalist style table lamps produced by Quartite Creative Corp.
This Spanish lidded porcelain decanter with a cork top features a mountain scene with a woman and a small dog and a man riding a mule.
Op-art pendant light produced during the Mid-20th Century.
Roberta Di Camerino black jacquard handbag with unusal gold-tone hardware. Gold company "R" monogram on bottom corner. Stamp on interior reads [Made in Italy by "Roberta di Camerino"] [Leather Lined]
A black embossed alligator patterned Gucci handbag.
Vintage Tiffany & Co. circle brooch with alternating pearlsand rubies.
Two lounge chairs by Florence Knoll upholstered in red and made of chromed metal and wood. In good condition with no rips to upholstery but some signs of wear and staning. The cushions are removable. There is an original label and a sticker marked 'Knoll Associates' is present on one of the chrome legs. 110948.
A great brass 1960s Swedish chandelier, with Orrefors glass by Carl Fagerlund, ribbed surrounding panels mounted to a brass frame.
A Hand painted and gilded decorative box in bright blue Murano glass with hinged top and beveled corners.
A midcentury starburst shaped flush mount wall sconce with amber bubble glass shade, produced in Austria during the 1960’s-1970’s.
Crystal chandelier by Waterford featuring an intricately cut crystal body and scrolled arms.
A molecular style chandelier with a chrome structure and white glass globes, made during the Atomic age.
Joan Miro lithograph in a brass frame.
Mid-century modern 1960s side table by Baker Furniture, inset top bookmatched, set on rectilinear frame.
Unique pair of slush mounted sconces, in amber toned glass with etched details suggesting an “eruption”, produced in Austria during the 1960’s.
A pair of laminate and wood nightstands from American of Martinsville’s ‘Dania’ collection, produced during the 1950’s-1960’s, and designed by Merton Gershun.
A pair of mid-century vintage aluminum hubcap table lamps with iron bases, c. 1960-70’s.
Hollywood Regency Dunbar console by Edward Wormley, on scallop shell as base.
An abstract oil on canvas painting entitled "Scattering Stars"by American artist Jean Sampson. The piece is rendered in deep blue shades with splashes of red and yellow.
Mid-Century Modern era credenza by T.H. Robsjohn-Gibbings, manufactured by Widdicomb Furniture Co. circa 1950s.
Circa 1950s vintage set of letters, "gas" originally used for a gas service station sign, produced in the United States.
A solid brass mid-century Italian table lamp with adjustable sliding brass shade, c.1960’s
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
Giacometti table lamps in a matte white finish.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Organic Modern inspired amethyst on stepped silver plate base.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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