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HEIGHT: 43.5 in. (110 cm) WIDTH: 14 in. (36 cm) DEPTH: 12.5 in. (32 cm)
Mid 20th Century
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
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The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
A vintage Bronze abstract sculpture by Mathias Goeritz. Mathias was born in Germany in 1915. He studied Art History and Philosophy in Berlin and from 1940-45 taught in Morocco. After WW2 he returned to Europe, living in Spain until he and his wife immigrated to Mexico in 1949, where they would live for the remainder of their lives. In Mexico he continued his sculpting, painting and teaching and also collaborated with architects. He died in Mexico City in 1990
A bronze abstract sculpture created by Mexican artist and designer Gunther Gerzso (1915-2000) in Mexico.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A mid-century torch-cut steel sculpture in brutalist manner.
Sculpture bust of a horse head crafted in cast metal with a bright polished silver-tone finish.
Surrealist abstract patinated bronze sculpture in the manner of Wifredo Lam or Yves Tanguy.
This free standing sculpture was designed by renowned Curtis Jere in 1977. It is composed of metal birds in flight; mounted on a marble base. This piece has been signed and dated. The piece is in good vintage condition. Reduced From: $1,750
A Mid-Century Modern flower cart sculpture made by Curtis Jere in copper and brass on a wooden platform during the 1960s-1970s.
A Curtis Jere mixed-metal sunburst wall-mounted sculpture with colorful removable center, circa 1970.
A DeMott signed burnished metal sculpture of a sailboat on a quartz base, 20th century.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
Sukhothai style Buddha head in bronze from Thailand.
1970s mixed metals ice cream parlor with begging dog, cafe table and chairs and plant in pot. Signed in black script jasing.
Bust of a young women, crafted in aluminium and mounted on a black base.
A Brutalist bird sculpture with elongated beak, and brass feathers made by Maison Jansen, circa 1960.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
David Gerstein sculpture titled 'Soul Bird'.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
An abstract sculpture of a reclining figure in polished brass, by collaborating artists Arleen Eichengreen and Nancy Gensburg, circa 1970s.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A monumental abstract style wall sculpture of a New York City fire escape scene with pigeons, flower pots, and hanging laundry signed C. Jere.
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
Brutalist pair of Curtis Jere wall world maps, signed, in torch cut patinated mixed-metal
Blackened Metal sculpture of the beloved literary character Don Quixote mounted on a white painted base.
A Curtis Jere patinated bronze plated brass and metal hot air balloon with festive flags and a wheeled cabin, reminiscent of Jules Verne or the Steampunk movement, circa 1970's.
Bruno Giorgi bronze sculpture of a female torso mounted on a black marble base.
A Chinese cast bronze sculpture depicting the deity figure of Lu, god of wealth, holding up a small child and standing next to a foo dog.
A Brutalist open work iron sculpture of a woman on a wooden base.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
Vintage Brutalist manner sculptural owl by Curtis Jere in patinated mixed-metals, signed and dated 1968.
Mid-Century Modern wall-mounted metal sculpture depicting a four piece jazz band.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
An antique Louis XIV style console table in untreated wood.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
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