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10564
HEIGHT: 20 in (51 cm) DIAMETER: 17 in (43 cm)
G41DK
Chrome, Glass
Atomic Era
Mid 20th Century
Silver
Italian Modern 1960s Sputnik chandelier in the Stilnovo style, the black enamel central nucleus with surrounding brass stems.
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Contemporary Modern pair of sputnik light fixtures, each with 'triedri' crystal prisms
Complete with fifteen socket covers, this Sputnik requires Edison base bulbs (round if possible) as referenced in detail images.
An iconic chandelier from the mid-20th century, this circa 1950’s Sputnik sixteen-light fixture features a brass nucleus center with protruding white enamled arms capped with polished brass.
A circa 1950’s Emil Stejnar designed “Starburst” chandelier, made in Austria of brass and glass.
American mid-century classic Laurel brass “Sputnik” table lamp on conical base.
Brutalist sputnik urchin chandelier by the Feldman Company, spires in soldered metal.
A vintage sputnik chandelier with a chromed metal frame, surrounded by cut glass clear flowers with frosted details.
Impressive brass sputnik chandelier with bursting triedri prisms.
A beautiful example of the modernist movement, this Sputnik chandelier is composed of a great number of silvered rods, in varying lengths, radiate from the nucleus to suggest a brilliant, radiant light show.
An Italian Sputnik chandelier, produced within the late 20th Century period, with sockets projecting from the central nucleus, surrounded by an array of brass beams, entirely suspended from a pole support and tapered canopy. Very good condition, consistent with age and use; this light fixture will be rewired to US standards upon purchase.
Mid-Century Austrian 1950s flush mount sputnik by Emil Stejnar.
A 1970's Richard Essig Bubble Sputnik chandelier in chrome and glass.
A chandelier by designer Emil Stejnar in "Starburst" form.
A Mid-century sputnik chandelier, by Austrian designer Emil Stejnar, features decorative acrylic florets and faceted beads, chrome frame and central nucleus, and white enamel sockets and spokes. Takes candelabra base bulbs. In a very good vintage condition, wear consistent with age and includes some scratches to the enamel paint.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A vintage pair of teak side chairs with white linen seats and cane backs.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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