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HEIGHT: 44 in (112 cm) WIDTH: 6 in (15 cm) DEPTH: 10.5 in (27 cm)
Mid 20th Century
A bull form table lamp designed in Murano Italy by Gino Cenedese.
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With black enamel finish and inverted shade with brass accents
A vintage circa 1950's floor lamp, created by Stewart Ross James for Hansen, features three ceramic cluster sockets on linear metal stem and square base. The logo [Hansen New York] is stamped on the bottom of the base.
A cast and hand engraved brass dragon with tongue holding the lamp fixture, made during the 1920s-1930s.
Midcentury chrome floor lamp with a half-sphere upturned shade and matching base.
Mid-century modern era floor lamp, produced 1960s, featuring domed shade with enamel finish in yellow.
Brass floor lamp with dual lights on gooseneck stems, each with conical shades. Features white enamel to interior and is supported by a lengthy stem on a circular base.
A 19th century floor lamp with green accents including an urn form at the top.
A vintage sculptural floor lamp consists a three-tiered, layered, white enamel shade on a perforated back plate in brass, white enamel Dual pole legs and square base.
A modernist floor lamp with curved Lucite stem, counterbalanced by polished chrome cylindrical shade and base, designed by Peter Hamburger for the Crylicord series during the 1970’s.
Art Nouveau torchiere floor lamp, produced circa 1910
Floor lamp with grappling hook base and chain link body.
Koch and Lowy chrome floor lamp with three spherical lights.
A mid-20th century patinated bronze sculpted floor lamp, produced by Hansen, (France, c.1950’s) designed by Stewart Ross James.
A Mid-Century Modern floor lamp made of brass.
An Arredoluce inspired three-arm floor lamp, mid-century, c. 1950’s, with adjustable brass arms and enamel cone shaped shades.
Brass floor lamp with adjustable pole, produced circa 1950s - 1960s.
Arc floor lamp with multiple bulbs in ebonized brass and chrome standing on a circular white marble base.
French 1950s Hollywood Regency floor lamp by Maison Bagues, gilt metal stylized bamboo reeds as stem
Produced circa 1960s modernistic standing lamp, with two glass globe shades, each supported by lengthy stems in polished chrome, on black circular bases.
A sculptural mixed- metal kinetic floor lamp by Curtis Jere, produced circa 1970’s, with brass and chrome spires rising from a polished chrome illuminated base.
Floor lamp in brass and black painted iron from Brazil, circa 1950s. T
Martin Eisler & Carlo Hauner Brazilian Mid-Century Modern armchair dating from the 1950s.
A metal floor lamp from the Art Deco period, with its original Mica lampshade.
A pair of Hollywood Regency floor lamps made of brass and Lucite, made by Fredrick Ramond in the 1970s.
An articulated Italian Modern style globe floor lamp with cymbal design in burnished aluminum top, circa 1970.
A vintage large chrome arching floor lamp features a steel base and a brown plastic shade.
An adjustable reading floor lamp, in polished chrome, features light and tubular shade on gooseneck, supported by round linear stem and rectangular base.
A pharmacy floor lamp, manufactured circa 1960s, entirely in brass, tent shade with white enamel interior, supported by curved stem on round base. Single socket requires Edison base bulb (150 max watts). The lamp remains in overall good vintage condition, with age appropriate wear to enamel interior, including dark patina to brass.
A Mid-century architectural 'crane' floor lamp by Curtis Jere.
An industrial styled arched floor mirror, c. 20th century, comprised of mirrored squares encased within a painted steel frame.
Floor lamp in brass and black painted iron from Brazil, circa 1950s.
An architectural floor lamp, produced circa 1940s, with sculptural stem in painted wood, two tapered supports laced together with rope.
A Lucite floor lamp with three panels in a pyramidal position on a round lucite base.
Sculptural vintage ebonized wood floor lamp, mid-century.
A 1960's Italian brass floor lamp on stone base with Lucite magazine rack or table.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Organic Modern inspired amethyst on stepped silver plate base.
Giacometti table lamps in a matte white finish.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A pair of Barcelona chairs dating from ca.1970.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
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