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DIAMETER: 26 in. (66 cm)
Mid 20th Century
A lovely pair of German cut glass, oval, flush mount sconces, detailed with satin opal starbursts.
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This Pierre Chareau "Potence" wall sconce dates from the late 20th Century.
A pair of vintage circa 1960's German flush mount sconces, each features oval, clear textured glass shade, formed with bubbles and gadrooned perimeter.
Modern three-light candelabra sconces, designed in the Stilnovo style, each with curved brass arms.
A vintage circa 1970's pair of wall sconces, in bubble glass, with sockets set in concave.
Produced by Theodore Alexander this pair of contemporary chrome wall sconces each includes a modernistic square shade, accented with glass, over a round backplate
Italian pair of 1950s sconces, geometric shades in textured Murano glass, attributed to Venini.
A brass and cut-glass vintage floral form sconce fixture, c. 1970s.
Massimo Scolari sconces, all three with nickel plated backs and many rows of small glass rods.
1920’s French Dore bronze candelabra style wall sconces, set of 4, on wood plaques and including shades.
This pair of textured glass sconces feature a pull string mechanism and are wired to European standard with European sockets.
A pair of midcentury sconces of three tiers of discs in brightly colored Murano glass.
A single German flush mounted wall sconce, in amber toned bubble glass detailed to resemble pebbles, produced during the 1970’s.
A German circa 1960's single wall sconce, produced by Doria, features a trio of cylindrical 'tronchi' prisms in textured glass, on back plate, accented in brass and white enamel.
A 1980's Effetre International Company set of three Murano glass half moon wall sconces, in opaque white with translucent stripes and an amber glass border.
A pair of vintage circa 1950's wall sconces, created by Danish designer Vilhelm Lauritzen and manufactured by Louis Poulsen, each features double lights and bell-form milk glass shades, supported by curved brass arms and circular backplate.
Two sconces: each has a mirrored plate with three arms protruding outwards.
Three German pressed glass wall sconces, with flush mounts, produced during the 1970’s. Each beautifully faceted shade covers a single socket.
A vintage German brass and glass flush mount wall sconce, produced circa 1970's by Peill & Putzler, features two sockets, each surrounded by a glass cube, against a linear backplate in brushed brass.
1960s Italian modern pair of sconces with textured curved Murano glass shades by Mazzega.
A pair of vintage leaf form Murano glass sconces by Barovier and Toso in the "Rugiodoso"technique.
A unique 1920's French Art Deco wrought iron sconce with an enameled porcelain mask.
Mid-century modern pair of sconces, each in chrome with perforated oval plate.
An 18th century pair of Venetian candle sconces in gilded hand wrought iron, decorated with mirrors and glass rosettes.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
A pair of custom-made sconces, each with gilt Murano glass leaves and single socket, mounted to a round back plate. Wiring and sockets to US standard, each requires a single candelabra base bulb. Very good condition, with original vintage glass; rewired with new metal work.
A pair of modern flush mount polished chrome wall sconces, each features a half-cylinder shaped shade with perforated detail.
Produced by Vistosi, circa 1970s, a pair of Italian vintage sconces, composed of four layered tiers of discs in colorful Murano glass, suspended from a demilune frame.
A pair of vintage wall lamps with brass mounts and two pivoting lights with black enameled metal shades with star perforations around the edge.
Sconces with icicle texture produced in Denmark.
Unique pair of slush mounted sconces, in amber toned glass with etched details suggesting an “eruption”, produced in Austria during the 1960’s.
A pair of wall mounted lights by Italian company Stilnovo. They have frosted glass shades, brass mountings and black enameled metal accents. Recently rewired with U.S. sockets.
Pair of 19th century silver sconces in Spanish Baroque style, adorned with Spanish royal crown.
Produced circa 1970s by Glashutte Limburg this pair of vintage German flush mount sconces each with oval form, faceted glass shades, over single sockets and metal back plates.
Sunken glass prisms are dispersed throughout the gold toned metal of these sconces.
Produced in the United States, circa 1970s pair of sconces comes adorned with looped Lucite prisms, which form graceful shades over the square, flush mount brass backplates.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A pair of Barcelona chairs dating from ca.1970.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
Organic Modern inspired amethyst on stepped silver plate base.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
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