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HEIGHT: 25 in. (63 cm) DIAMETER: 8 in. (20 cm)
A pair of 20th century Art Deco style brass table lamps, with column shades of undulated glass.
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Butterfly and rose details accent the scoll arms of this vintage bench in hand wrought iron.
Italian 1940s table lamp, in green Murano art glass by Fratelli Toso.
Produced in Italy circa 1950s, bench comes in a gold gilt iron frame with X-base, designed as twisted rope with tassels.
Italian 1940s Hollywood Regency floor lamp, in ribbed Murano glass with gold leaf detail.
Produced by Louis Vuitton, circa 1889, steamer trunk comes in Damier pattern canvas, light brown squares to dark brown ground, flanked by iron handles, with concealed casters on the bottom.
Cartier 18k white gold Nouvelle Vogue diamond ring with eleven diamonds.
Pair of 1970s Palladian manner vitrines by Mastercraft, each entirely in brass with arched glass doors.
A pair of vintage side tables, produced circa 1960s, on wood frame with tile patterned wood surface. Markings include hand-written signature, dated 1967 beneath the table top. Very good condition, with age appropriate wear.
A vintage pair of blown glass table lamps, designed by Paul Mayen circa 1970’s.
A large silkscreen print on Japan-paper entitled "Girl at Piano"by Will Barnet. The artist was born in Beverly, Massachusetts in 1911 and studied at the Boston Museum of Fine Arts. He excelled at both painting and printmaking. He would go on to teach at various leading American institutions such as Yale, Cornell and the art Students League. He changed his style throughout his artistic career; moving from Expressionism influenced work in his early career to more Abstract pieces through the 50s and 60s and finally into figurative works by the 70s. He has exhibited at the Metropolitan Museum of Art, the Guggenheim Museum in New York and the Boston Museum of Fine Arts and his works are in the collections of numerous American museums including the National Gallery of Art and the Whitney Museum of American Art.
“Puffy Sleeved Woman”, oil on canvas, c. 1830’s, by unknown artist, a beautifully rendered portrait of a wealthy female subject adorned with jewels and holding a book.
A vintage original lithographic poster, advertising for Fromageries Bel, printed in France, circa 1950s to 1960s. The iconic laughing red cow, originally designed by illustrator Benjamin Rabier (1869-1939), is depicted above the headline, "Bonbel Production des Fromageries", with a wheel of sliced bonbel cheese, bread and wine. Markings include printer logo [Chavane_Paris_12 Ave. de la Grande Armee], to the bottom left corner. This poster is in excellent mint condition.
A vintage circa 1970's custom-made wall mount console table inspired by the style of Karl Springer features luxurious tessellated horn inlay on brass plated foot. In overall very good vintage condition with wear consistent with age.
A 1960's Italian brass floor lamp on stone base with Lucite magazine rack or table.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
Tod's cream colored purse with embossed snake skin pattern. Includes Tod's logo pressed into the front and on interior. Has cream colored interior lining with lipstick stains. In good condition with wear appropriate to use.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
French Art Deco (circa 1930) table lamp combines the simplicity of lines of the rectangular onyx & marble base with the complexity and sophistication of the pattern done in the famous French technique, Champlevé covering with multi-color enamel pattern, our copper plates mounted in onyx around the perimeter of the base.
A pair of brass candlesticks created by celebrated Swedish Industrial designer Lotta Horn for Rejmyre Brass Mill in Rejmyre, Sweden during the early 1990s. Swedish minimalist design and workmanship at its best!
1950's Set of fireplace tools, in chrome with unique bias cut handles, includes brush, pick, tongs and shovel affixed around a hexagon base.
A metallic Chanel overnight - tote bag with iridescent fabric accents
An vintage crystal horse head, with sweeping mane and elegant long neck, by Daum of Nancy France.
This dramatic midcentury Egyptian styled bench is richly upholstered in fine leopard printed velvet and sits on gently scrolling gilt wood legs.
Mid-century modern 1960s lamp by Kalmar, drum shade on chrome base, stem with leather accent.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Very large, Art Deco style crystal vase in smoky gray, designed by Josef Hoffmann for Moser Glassworks, circa 1935 to 1940.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
Mid-Century Modern 1950s chartreuse lamp in Murano glass by Seguso, with twisted Sommerso layer.
A vintage 1950s Venetian glass floor lamp.
Mid-Century modern mirror style of Jean Royere, wrought iron frame with ball accents in brass
A carved flower arrangement in rosewood with removable parts.
This small modern lucite sculpture is comprised of hemispheres, cubes, and balls mounted on an octagon-shaped base.
A Barry Kieselstein-Cord bag with silver metal alligator head clasp and feet.
A 1970's, vintage white glazed porcelain lamp in the form of a seated baboon. Made in France.
A vintage powder blue lounge slipper chair by Thayer Coggin, upholstered in naugahyde on a curved chrome base. Good overall condition, any wear consistent with age and use.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Pair of 1930s bookends with highly detailed alabaster relief carved male faces.
A vintage 1985 abstract folk art sculpture of a red rooster or other bird. The piece is composed or iron objects and has Washington D.C. stamped on base. Signed and dated.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A whimsical sculpture of brass cattails and leaves mounted on a root base. The piece is similar to works produced by Curtis Jere.
This vintage clear lucite table lamp is composed of five lucite planks circling a central chome bar on a base.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A vintage pair of teak side chairs with white linen seats and cane backs.
This decanter in Murano glass is a beautiful pale yellow and comes with a stopper or decanter.
A Modernist table lamp, mid-century c. 1970s, with 3 blocks of white lacquered wood connected by chrome rods and lucite forming a classical column pattern.
A 1960's lantern form pendant light with a walnut body, chrome detailing and smokey acrylic inserts. There are four candle form interior lights. This piece has age appropriate wear with some scratching to acrylic, chrome and wood. Made in the United States.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
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