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HEIGHT: 14.5 in. (37 cm) DIAMETER: 15 in. (38 cm)
Brass, Copper, Quartz
Mid century Modern
Mid 20th Century
Silas Seandel wall sculpture crafted out of nails in the Brutalist tradition.
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Bust of a young women, crafted in aluminium and mounted on a black base.
A gilded bronze modernist sculpture by Irving Marantz (1912-1972) titled 'Obelisk to Peace'. Made in 1972, this sculpture has a larger size version erected in 1972 on Park Avenue and 34th Street in New York City. This sculpture was Marantz's last outdoor work before his death the same year.
No marks or signature.
Torch cut and patinated bronze rooster on wooden base by Brutalist Artist Bill Lett.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
A pair of Art Deco bronze cast sculptures of Chinese men with fans. Dark bronze patina, unsigned. Possibly elements of a banister
A decorative pair of aluminum reindeer with gold leaf finish, 20th century.
A vintage mixed metal sculpture in the style of Curtis Jere with alabaster base.
Brutalist 1970s wall sculpture, depicting two mermaids in the style of Paul Evans, of iron, set against a linear frame.
Ram head bust sculpture in polished brass.
Abstract modern American sculpture in anondized iron signed "T. Truitt" and dated 1974.
A mixed metal oil derrick comprised of torch cut and welded metal to form the rig. Fitted with various detailed ladders and scaffolds.
A hand-sculpted brass fish with a sculpted copper sea plant and a cast bronze coral.
Mid-20th century Brutalist sculpture by Lindsey Decker, crafted of abstracted bronze; signed.
A vintage bronze sculpture mounted on black stone base by Brazilian artist Heloisa Dolabella. Her large public works are displayed throughout Rio and other parts of Brazil and she has been exhibited in museums throughout the world. The plaque on the stone base bears the anglicized version of her name
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
A vintage circular spray-form sculpture in patinated brass on a cylindrical black marble base. The piece is by Curtis Jere.
A Renaissance inspired bronze sculpture of five singing putti playing musical instruments atop an elaborately carved architectural wooden stand.
Candelabra in the form of curling vines in gold gilt iron including eleven illuminated flowers.
Contemporary modern sculpture by Cheryl Farber Smith, abstract geometric form in metal; signed.
Hattakitkosol Somchai evokes the Futurist style in this bronze sculpture of a female torso in mid-motion.
A mid-century copper parts Brutalist figural sculpture of a male, c. 1970’s, comprised of various parts including a lock, nuts and bolts.
An Art Deco hammered copper sculpture of a nude woman wading through water and carrying two fish in the style of Hagenauer.
A circa 1970’s copper sculpture depicting eucalyptus branches, anchored on a rock base.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
A vintage bronze free form abstract sculpture on a marble base with acrylic wire detailing by Hattakitkosol Somchai (1934-2000), a Thai artist who specialized in bronze sculpture. The piece is signed "Somchai"and is number 6 out of an edition of 100.
A circa 1950s Cubist wall sculpture, created by American artist Robert E. Kuhn (1917-2000), which depicts the abstracted figure of a musician with violin, rendered in welded wrought iron and hand-painted.
Rotating 1970s modern style bronze sculpture by Gerald Fellman, female abstracted figures with decorative incising.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
Organic Modern inspired amethyst on stepped silver plate base.
Tree form sculpture made of cut metal circles and brass rods mounted to a gilt wood branch. The branch is anchored in a brass and foam composite pot. Designed by Curtis Jere, c. 1970's.
Seymour Meyer "Ballet" abstract sculpture on black pedestal with swivel top.
This female nude bronze is characteristic of the work of Art Deco Chicago Sculptor Emory Pius Seidel
This small-scale, highly organic abstract sculpture, created by Vaillancourt circa 1960s, appears as an amorphous formation of molten bronze, standing on a circular plinth over a black painted, square wood base
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
Giacometti table lamps in a matte white finish.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A pair of Barcelona chairs dating from ca.1970.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
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