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HEIGHT: 48 in. (122 cm) WIDTH: 9.25 in. (23 cm) DEPTH: 8 in. (20 cm)
Mid century Modern
Mid 20th Century
A vintage circa 1950's floor lamp, created by Stewart Ross James for Hansen, features three ceramic cluster sockets on linear metal stem and square base. The logo [Hansen New York] is stamped on the bottom of the base.
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Mid-century modern era floor lamp, produced 1960s, featuring domed shade with enamel finish in yellow.
An architectural floor lamp, produced circa 1940s, with sculptural stem in painted wood, two tapered supports laced together with rope.
Pair of Hollywood Regency era floor lamps by the Marbro Lamp Co., in brass, with reeded stems and classical elements.
Brazilian 1950s floor lamp by Gian Domenico De Marchis, relief against jacaranda base.
Produced, circa 1970s in England for Habitat Inc. this vintage column form floor lamp, with cylindrical white plexi shade, surrounding inner armature on circular base.
A mid-century polished chrome floor lamp with geometric chrome shade on adjustable and swiveling stem, supported by a ‘v’ shaped base, by Casella circa 1970’s.
Designed in 1972 by Achille & Pier Giacomo Castiglioni for Flos of Italy, vintage pair of 'Noce' floor and table lamps, each adjustable, with two sockets, a clear pressed glass diffuser and red lacquered steel frame.
Midcentury chrome floor lamp with a half-sphere upturned shade and matching base.
A mid-20th century patinated bronze sculpted floor lamp, produced by Hansen, (France, c.1950’s) designed by Stewart Ross James.
Mid-century Modern American floor lamp in brass and white enamel with saucer shade, articulated arm, curved stem and a circular base.
Modern abstract floor sculpture, circa 1970s, in the style of architect George Nakashima, of live-edge and carved wood.
A highly functional and stylish reading floor lamp, in polished chrome with adjustable curved stem, produced by Casella during the 1960’s.
A 1950s Italian architectural floor lamp, crafted of polished nickel and black enameled metal, attributed to Italian engineer and designer Gino Sarfatti, with three articulated arms, each with pivoting cone shades, on circular base in black marble with white natural inclusions.
A mid-century modern torchiere floor lamp manufactured in Brazil in a light gold tone.
Rare Italian Modern 1960s floor lamp by Arteluce, tubular form in polished chrome
French 1950s floor lamp, style of Maison Jansen, tole form with white enamel flowers.
Brass floor lamp with adjustable pole, produced circa 1950s - 1960s.
Circa 1950's brass floor lamp with single socket and decorative bobeche supported by a Nessen style articulated arm.
An industrial styled arched floor mirror, c. 20th century, comprised of mirrored squares encased within a painted steel frame.
1960s Mid-century modern brass floor lamp, rounded tent shade on adjustable stem
Modernist Pair of floor lamps by Koch and Lowy, with three pivoting shades in polished chrome.
Mid-Century modern floor lamp, milk glass hurricane shade on brass tapered stem
French Hollywood Regency 1940s Maison Bagues floor lamp, faux bamboo bronze stem.
Chrome floor lamp by Koch and Lowy, produced in the US, features three cylinder-shaped pivoting shades and a round base.
A Lucite floor lamp with three panels in a pyramidal position on a round lucite base.
A Lucite and Brass column floor lamp c.1970’s. Grey finish with Lucite and brass bands.
Modern minimalist floor lamp by Cedric Hartman, chrome stem with brass tent shade
A sculptural mixed- metal kinetic floor lamp by Curtis Jere, produced circa 1970’s, with brass and chrome spires rising from a polished chrome illuminated base.
A bull form table lamp designed in Murano Italy by Gino Cenedese.
Sculptural vintage ebonized wood floor lamp, mid-century.
Mid-century 1960s adjustable floor lamp in brass, pharmacy head
A modernist floor lamp with curved Lucite stem, counterbalanced by polished chrome cylindrical shade and base, designed by Peter Hamburger for the Crylicord series during the 1970’s.
An American Arts and Crafts hammered copper floor lamp features stylized base with tripod foot and a parchment paper shade.
A circa 1950’s three light brass floor lamp produced by Lock and Low in the mid 20th century. Fixture includes pivoting, cup-shaped shades on sculptural bent stem.
Giacometti floor lamp designed in ebonized bronze on a tessellated tripod base with ornamental nobs.
Rare antique Chinese wood statue of Guayin; possibly Tang Dynasty.
Organic Modern inspired amethyst on stepped silver plate base.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of Barcelona chairs dating from ca.1970.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A French 1980 handmade model airplane from a Louis Vuitton shop window display
Bitossi Rimini Blue ceramic clock, crafted in Italy during the 1960s.
Lalique Chene pendant in the largest size with several tiers of oak leaves in frosted glass.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A Victorian engraved silver hinged bangle with machine-like design and silver beading. Halmark reads 'sis std'
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
An undulated globe table lamp in cobalt blue glass on wood base with brass stem, made in Denmark circa 1970’s.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
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