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HEIGHT: 8in (20cm) WIDTH: 30.25in (77cm) DEPTH: 8in (20cm)
Mid century Modern
Bauer Lamp Company
Mid 20th Century
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
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Modern 1970s Kovacs floor lamp by Peter Hamburger, with curved smoked lucite stem, brass-plated shade and base.
Intricate mixed metal and materials enameled and torch cut schoolhouse with American flag on pole and ringing school bell by Curtis Jere.
Dressers in Brazilian caviuna wood from the 1950s.
KEM Weber chairs with chrome frame from the 1930s.
The spiral form of this chandelier by Venini is made up of clear glass tri-point rods suspended on a chromed metal frame.
Mid-Century Modern duck sculpture made in metal by A. Blazquez.
This pair of chrome stackable ball lamps from the 1950's has been newly rewired.
A split bamboo Ikebana basket from Japan. Includes a metal protective plate on the interior.
Venini frame in brass with rose colored ‘Torciglione’ Murano glass border, with gold infusions.
A hard-to-find set of eight coasters produced during the 1960’s by the incomparable Italian designer, Piero Fornasetti.
Erte sculpture titled "Les Bijoux de Perles" produced in the year of Erte's death 1990 by Sevenarts Ltd as a limited edition of 500.
Barovier & Toso Murano glass two-tier chandelier, mid-century modern.
A Victorian gilded round beveled mirror with planter, in neoclassical style.
A handmade baluster form urn with handles, produced in Italy, circa 1960s, entirely in hammered copper, the rough design following the Brutalist style. This piece is in very good condition, consistent with age and use.
Mid-20th century pair of 1960s lamps, featuring abstract spiral lucite panels.
Vintage handbag by Dolce and Gabbana in brown Italian suede with contrast stitching in a cream-colored twine.
A vintage set of Venetian hand-blown glass pieces, produced by Salviati, in green with infused gold flecks.
Italian 1950s lamp in Murano glass by Barbini, drop form in white with ‘bullicante’ detail.
A pair of French, early 20th Century gueridons in the neoclassical style, each featuring faux-malachite round top, with bordering gallery, above an ornate gilt metal tripod base, decorated with classical elements such as sphinxes, scrolls, anthemion, and masks of Hercules, on animal paw feet.
Sculptural chair in the manner of Pedro Friedeberg with a human hand forming a seat atop a human foot.
A vintage substantial Sputnik chandelier with tri-pointed glass rods radiating out of a chrome center ball.
A carved grey stone head sculpture, made by Spanish-born American artist Jose de Creeft in the 1930s-1940s in Mexican School Style
French Louis XVI style bergeres from the Hollywood Regency era, 1940s, with Hunt Slonem 'Bunnies' upholstery
1920's American Arts and Crafts three-light bronze fixture with original etched glass shades .
Hollywood Regency 1960s eight-arm chandelier, featuring pineapple on gilt tole leaves
A French Art Deco silvered bronze chandelier with six frosted glass bell shaped shades, made in the 1930's.
A tulip side table by Designer Eeero Saarinen.
A cast iron fountain with a standing next to an urn that is tipping slightly as well as two identical putti, each seated atop a spherical plinth.
A Lucite and Brass column floor lamp c.1970’s. Grey finish with Lucite and brass bands.
Japanese Meiji period lacquered sculpted wood Buddha figure seated on an elaborately carved lotus throne with a mandorla in the back.
A long oval footrest on six legs. Crafted in pale wood with etched detail and floral motif.
A Mid-century smokey gray 'bullicante' bubble glass bowl by Carl Erickson, created circa 1950's-1960's.
A framed abstract style acrylic portrait titled 'Matador', made by Peter Robert Keil (b. 1942) in 1957, in his Palma studio.
Mid-century set of fire tools in wrought iron, designed by Donald Deskey s for Bennett Co., includes shovel, broom and a pair of tongs, handles detailed with brass ball finial, on a tripod stand.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
An antique Louis XIV style console table in untreated wood.
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