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Yehoshua Kovarsky (Lithuanian/American, 1907-1967). Modernist figure study, circa 1950. Oil on canvas. Signed lower right Framed: 26.5Ó H x 18Ó W x 1.75Ó D. Sight: 20Ó H x 12Ó W.
Mid 20th Century
Op Art, black and white zebra pattern oil on canvas in the manner of Victor Vasarely, painted circa 1980.
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Pop art oil painting 'Friends' by Beatricia Sagar, signed and dated 1966.
A 2013 signed and dated abstract oil on canvas by New York City artist Erin McParland.
A framed expressionist oil portrait titled 'Lover Boy', made by Peter Robert Keil (b. 1942) in Berlin in 1967.
Julian Jackson paintings made of oil on board.
An abstract signed and framed neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
French Expressionist still life oil painting, created by Polish-French artist Gustave Penzyna (1882-1938) in his Paris atelier on 16 Rue du Saint Gothard in 1928.
An oil on canvas painting titled "The Soothsayer"by Swiss-American Artist John Konstantin Hansegger. The piece is signed and dated (1986) in the lower right. John Konstantin Hansegger(1908-1989) was a unique figure in 20th Century Art, working as he did at the highest level in most of the major movements of the past century. His career spanned seven decades and five continents, and produced at least six major periods and several minor ones. His mastery extended over Cubism, synthetic cubism, Abstract Expressionism, Impressionism, portraiture(he painted many culture icons from life including Picasso, Einstein, and Albert Schweitzer), and several styles of his own. He was a member of the Surindependants in Paris in the 1930’s winning the Silver Medal of Paris in 1939 with one of his groundbreaking “Abstract Parallels” paintings, and working in close association with Fernand Leger, Picasso, Alfred Reth and Mondrian This painting, “The Soothsayer(card reader)”is one that incorporates the Abstract Parallels, along with more figurative elements. This is the second version of this painting, the first being executed and exhibited in Switzerland in 1942. During the war he returned to his native Switzerland where he was a founding member of Paul Klee’s Allianz. During this period he founded the historical gallery Des Eaux Vives, in Zurich, which is credited with helping to keep modern art alive in Europe by providing a venue for such artists as Kandinsky, Klee, Max Bill, Walter Bodmer, Hans Arp, Max Huber, Sophie Tucker Arp, Richard Lohse and many others during the dark days of World War II. During this period he worked primarily in the Art Konkrete style, sometimes blended with his Abstract Parallel motif. After the war his painting exploded in new directions. When he was Invited to hold a one-man show at the Princeton Museum in 1953, he elected to stay and settle in America where he continued to paint, show and innovate until his death in 1989, a few months after the major retrospective given him at the Kunst Museum in his home city of St. Gallen in Switzerland. Several books have been written about his career. His work still looks remarkably fresh and contemporary today, is being discovered by more and more designers, and was recently seen in Martha Stewart’s Living.
Abstract modern 1974 portrait 'Impressionen Palma' by Peter Keil (German, b. 1942); signed
A signed and dated (1945) oil on canvas entitled “Wild Iris” by Greek American Artist George Constant (1892-1978), in original silver giltwood frame.
Signed expressionist oil painting on linen by Ruth Euster Berger (1915-1994), titled 'All Dressed Up'.
A mid-19th century oil on canvas by Hungarian artist August Schoefft, depicting an opulent middle eastern interior, framed in gilt wood.
A framed expressionist oil portrait titled 'Abstract Face', made by Peter Robert Keil (b. 1942) in 1969.
Expressionist portrait oil on board by Peter Keil (b. 1942), "Trocadero Bar" a.k.a. "Young Gay Man". Signed and dated 1983
An oil on board by Panamanian artist Chong Neto, depicting an abstracted and sensual reclining female nude; includes giltwood frame. Markings include artist's signature and date [Chong Neto/'66] to the lower right corner. Very good condition, wear consistent with age.
A figurative signed and framed portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
Brazilian 1960s abstract expressionist oil painting on board by Antonio Dias (Brazilian/German, b. 1944).
Expressionist framed painting in oil of an abstract face's, painted in 1964 by Peter Robert Keil.
An oil painting by Czechoslovakian born artist Jan de Ruth (1922-1991), entitled 'Red Drape', depicting an impressionist rendering of a female nude from the waist up, reclining gently to one side, a vermilion colored cloth wrapped around her hips. This work is a sublime example of the artist's skilled brushwork and ability to capture physical form and expression within his studies of female nudes. Painting comes in wood frame with carved gilt foliage. Markings include the artist's signature to the lower right corner, [Red Drape] to the reverse; plaque with artist's name to front. Very good condition, consistent with age.
Expressionist framed oil painting titled 'Spanish Torero', painted in 1974 by Peter Robert Keil in Palma.
An abstract painting in black, red, purple and blue on white background. The piece is by American artist Sally Turner and initialed S.T. in the lower right.
This oil on canvas by WPA listed American painter Agnes Millen Richmond, depicts a large-scale house at midday, rendered in the impressionist mode. The artist's thoughtful brushwork manifests a sense of light and depth in this exterior scene, as sunlight hits the geometric architectural shapes, Stark and bright against the surrounding natural elements and organic forms. Markings include the artist's signature [Agnes M. Richmond] to the back of the canvas. This framed painting is in overall very good condition, consistent with age. Artist Agnes Millen Richmond (American, 1870–1964), born in Alton, Illinois, began studying painting at the St. Louis School of Fine Arts, continuing at the Arts Students League, following her relocation to New York in 1888; she eventually became an instructor there, from 1910-1914. Within that period, she was awarded the Watrous Prize in 1911 and would be recognized as one of the most esteemed American woman painters and teachers of the early 20th Century. Although known best for her portraits of female sitters, the influence of French impressionists, not to mention her summers in Gloucester, Massachusetts and Mountainville, New York, drew the artist to paint the natural setting, including landscapes, seascapes and many exterior scenes.
Oil on canvas portrait of philanthropist Dr. Albert Reid Leoux.
1940's French Art Deco painting 'Tropical Birds' in oil on wooden panel, illegibly signed.
A unsigned oil on canvas painting in the Abstract Expressionist style; painted on the back in the artist's original simple nailed wood frame
An abstract oil on canvas signed and dated  by Jamie Dalglish (b.1947) on reverse. The composition consists of dripped, splattered and brushed oils in bright, almost neon hues. The inherent sense of energy in the piece likely stems from Dalglish's experiences living in New York City in the 70s and 80s. The piece is a recognizable counterpart to the kinetic, graffiti influenced works being produced by his contemporaries; Basquiat and Haring, among others. Alongside the works of these other artists, this piece is a great example of the explosion of creativity in New York's art scene at this time.
Abstract neo-expressionist portrait painting titled 'Abstract Face', painted by Peter Robert Keil.
"Afternoon at Hinton's Market" by Jane Mihalik
John Konstantin Hansegger oil painting of a rooster; c 1950’s.
Framed abstract style oil portrait titled 'The Blue Lady', made by Peter Robert Keil (b. 1942) in 1973, in his Palma Studio.
This signed portrait of a man by Harry Elsas from the 20th Century in a gilded frame.
A 19th century oil on wood board painting of George Washington. In original elaborate gilded gesso and wood frame.
An original abstract oil painting by Edmmondo Bacci (Italian, 1913-1978), titled “Avvenimento 291”, exhibited at the Venice Biennale in 1958.
American Cubist oil painting depicting a rocky landscape by Kenneth J. Lipstreu
A vintage abstract painting of blue, white, and grey shapes in bold brush strokes. Oil on board.
Expressionist manner signed oil painting titled 'Laugh, Clown' a.k.a. 'Agony of a Clown' by Ken Nishi.
Giacometti table lamps in a matte white finish.
Arne Jacobsen mid-century modern Swan Chair designed by Fritz Hansen for Knoll recently reupholstered in bright pink.
Salavetti disc pendant in 18k white gold.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
A Modernist cased glass hand-blown blue-green vase. Label on the side. In great vintage condition.
A pair of French lounge chairs by French designer Pierre Paulin, in their original pink fabric, circa 1970.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
A vintage modernist chandelier in brass.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
An antique Louis XIV style console table in untreated wood.
Organic Modern inspired amethyst on stepped silver plate base.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
Hammerman Brothers brooch in 18k yellow gold and platinum.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
A pair of Barcelona chairs dating from ca.1970.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Mid-Century 1950s Italian lamp in blue Murano glass by Seguso for Marbro Lamp Company
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