Please enter your email address below. You will receive a link to reset your password.
You have no items in your shopping cart.
Modern sculptural ibex by artist Joseph Martinek (American/Czech, 1915-1989), wood hand-crafted 1930s-1940s.
Show more info
Modern abstract 1970s sculptural arch in Lucite, signed by artist J. Rinner.
An alabaster sculpture carved into an abstract form and mounted on a dark wooden base.
Modern abstract sculpture from the Mid-Century era, portraying a group of three figures, possibly a family, in rough patinated bronze.
Modern 1950s still life in the Fauvist manner by Dorothy Finley (American, 20th Century), with goblet, pitcher and scattered oranges; signed.
Referring to himself as a "abstract phenomenist", the titles of Jenkins' paintings began with the term ‘Phenomena’, 1960s onward. This particular ‘Phenomena’ watercolor is highly unique in presence, the applied paint seemingly cropped, forming a neat ‘v’ shape, which stretches across the paper.
A modern oil painted mannequin as sculpture, produced by German painter and sculptor Peter Robert Keil
An artfully modern Lucite sculpture of a horse head, fixed atop an illuminating pedestal, circa 1970-1980.
An gracefully abstract sculpture, composed of carved, frosted and textured Lucite, sits atop an illuminating metallic toned pedestal, circa 1970-1980.
The large abstracted sculpture of head of a bearded man, created by Vienna-born artist Egon Weiner (1906-1987), in patinated bronze, a representation of an expressive exaggerated face, with eyes closed, and head gently bowed. Markings include the artist's signature [E. WEINER]. In overall very good condition, wear and patina consistent with age.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
Our buyer guarantee allows you to shop with confidence at Showplace Antique + Design Center. This pledge to uphold our standard of excellence includes the following guarantees:
We take pride providing reliable service to all of our customers. If you have any questions about this guarantee or any of the services that we provide, please don't hesitate to contact our customer support specialists at email@example.com.