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28 in. H x 64 in. W x 7 in. D
Mid to Late 20th Century
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
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Modern abstract sculpture cast in bronze, depicting a woman crouching on the ground.
a modern metal nine wire ball form sculpture that has movement when touched, like the sculptures by sculptor Harry Bertoia.
Brutalist style sculpture of a standing giraffe made of welded metal pieces.
Four beautifully carved wooden sculptures depicting Myanmar monks (formerly Burmese) holding offering bowls. Intricately detailed and finished in red lacquer, these figures were produced during the 20th century.
A singed screen printed plexiglass sculpture by Russian/American artist Ilya Bolotowsky (1907-1981), numbered 1/100, 1970.
A wooden ram sculpture covered in real rams wool with a Composite face with glass eyes and faux horns.
A modernist carved wood sculpture by American architect and artist Thomas E. Woodward (1932-2011). The sculpture appears to be made in American walnut and finishes at its top into a double Mobius band. Excellent original condition, signed on bottom "T Woodward"
Handmade wire sculpture of a ship built on a wooden base, decorated with bronze ship rope holders and bronze rope design trim
A vintage copper sunburst wall-mounted sculpture made in the 1970's by Curtis Jere.
Oded Halahmy sculpture titles 'Crowning the Universe' in aluminum cast. Signed and dated 2006.
Sailboat sculpture made in brass. Great modern nautical design signed C. Jere 1976.
This abstract sculpture from late 20th century is crafted from bronze and marble and features a large pedestal base. Signed 'Know LKS'.
American Modernist green patinated metal sculpture atop a rotating semi-spherical base.
A bronze sculpture by Edward J. Walsh (b. 1944, American) of a figurative sculpture stretching her arms, atop a white marble base.
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
A bronze sculpture of an abstract head shaped figure, made by German-born Mexican artist Mathias Goeritz (1915-1990) in the 1950s-1960s.
A Brutalist Mediterranean metal village with enameled brightly colored patio umbrellas designed by Curtis Jere, circa 1970s.
Modern bronze and cast aluminum menorah by Oded Halahmy, titled 'My Own Light', created in 2010.
A Brutalist mixed metal, torch-cut, soldered and enameled, wall sculpture depicts a personified sun and moon, in contrasting sheets in tones of copper and brass, surrounded by projecting spires and rays.
Wall-mounted mixed-metal signed sculpture by Curtis Jere, dated 1969, depicting a Brutalist style sunburst.
A Brutalist abstract sculpture in iron on a wooden base in the style of artist Louise Bourgeois.
Circa 1960's White sheep sculpture , featuring genuine sheepskin and horns, with wooden legs and black buttons for eyes.
A bronze sculpture of figure gracefully balancing on one leg, late 20th century.
A brass Curtis Jere deer sculpture on an onyx base, signed C. Jere, and dated 1986.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
An elegant modernist sculpture of a robed standing female, carved in unstained wood, and attributed to Albert Wein (American, 1915-1991).
Modern bronze and cast aluminium menorah by Oded Halahmy, titled 'Round Light, created in 1998.
A welded copper, iron and brass wall sculpture consisting of an assemblage of nails.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s. Signed.
Austrian Jugenstil massive but elegant sculpture, depicting a beautiful Eastern female dancing with a snake is a fine example of the Art Nouveau movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries.
Signed Streamline Moderne 1930s figural sculpture in plaster by Anton Pavlos, depicting a couple skiing down an incline.
Oded Halahmy sculpture titled 'Carrying Lights' in aluminum cast.
A large hand-carved wood sculpture of a hillbilly reading a recipe for moonshine.
This Jean Sampson sculpture in wood is titled "Douglas Fir Woman" and is signed by the artist on the base.
Modern cast aluminium menorah by Oded Halahmy, titled 'Light For Morocco', created in 2011.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
An antique Louis XIV style console table in untreated wood.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
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