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HEIGHT: 14.5 in. (37 cm) WIDTH: 14 in. (36 cm) DEPTH: 7.75 in. (20 cm)
Early 20th Century
Vintage sculpture of an iron wheel on a stand reflects Industrial, Machine Age aesthetics.
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Abstract Sculpture in Bronze on Marble Base in Brutalist manner.
Patinated bronze, height 14 1/2 inches and signed L. TUAILLON on the plinth in front of the horse’s left hind hoof.
A sculptural weeping willow, hand soldered in mixed metal by artist Brian Bijan circa 1960-1970, features bronze tree form with copper branches and brass drops, on a raw quartz stone base.
Mid-20th century era abstract sculpture by Klaus Ilhenfeld (German, b. 1934-) crafted of bronze.
A 1970's, vintage decorative sculpture of a Chinese Egret Bird. It has silvered bronze head and legs and a wooden bowl-form body containing a preserved decorative ostrich egg. Made in the United States.
A vintage large brass sculpture of a sitting panther possibly looking at its prey. Sculpture is in good vintage condition with some wear and stains to brass as well as small scratches and nicks to the surface.
A Mid-century Modern sculpture of a crane by Curtis Jere, 1978, of nickel plated steel on round base.
A vintage bronze sculpture by noted artist Lawrence Fane (1933-2008) and signed "Fane"in bronze.
A Mid-Century Modern Curtis Jere sculpture of a sandpiper mother hovering over her nest with three blue eggs.
A vintage circa 1960's abstract sculpture, created by sculptor Lewis Seiler, depicting two highly stylized rounded figures in bronze performing outstanding acrobatic feats, and deftly balanced on a black marble base.
Circa 1960s created by designers Erwine and Estelle Laverne a sculptural planter and pedestal table, in hand-painted aluminum, depicting a lady with a flower, with glass top.
A mid-19th century Meiji period Japanese bronze sculpture represents a ferocious tiger and serpent, engaged in deadly combat.
A bronze sculpture of a classical female marked on the base [Amodio Naples]. Amodio's studio specialized in crafting Fine replicas of classical works for the Grand Tour market. Despite minor scrapes and wear the sculpture remains in good condition.
A pair of decorative vases in patinated bronze, made by celebrated Austrian sculptor and founding member of the Vienna Secession Gustav Gurschner
The artistic career of sculptor Lilian Swann Saarinen (1912-1995) began with her studies at the NYC Art Students League in 1928, followed by the Cranbrook Academy of Art in Michigan 1936 to 1940. She would live much of her adult life in Massachusetts, as well as Europe, teaching at the Pratt Institute, the Museum of Fine Arts in Boston, as well as the Massachusetts Institute of Technology in Cambridge. Saarinen also participated in a Red Cross rehabilitation program, teaching soldiers ceramic sculpture. Much of the artist's inspiration came from animals and nature; one of her best known works, entitled 'Night', exhibited at the World's Fair in 1939, which depicts the panther Bagheera from Rudyard Kipling's 'Jungle Book', was later set in the Boston Public Garden in 1986. Amongst many projects and commissions for public sculpture and reliefs, often working alongside her husband, architect Eero Saarinen, she designed the 'Screaming Eagle' sculpture for the Federal Reserve Bank of Chicago, as well as producing reliefs for the WPA. Saarinen's broad range within the cultural arts also extended to the literary field, when in 1935 she illustrated 'Picture Book Zoo', followed by the publication of her 1946 children's book 'Who am I?' This engaging bronze sculpture, created by Saarinen circa 1939, depicts a beautifully detailed woman playing the accordion; her stance, leaning back and slightly contrapposto beneath the weight of the accordion, right foot peeking out from her long pleated dress, implicates movement and musical sound, as she handles the extending instrument, moving fingers hands along the keys. Markings include the artist's signature [Lillian Swann] and [Roman Bronze Works]. This piece is in overall good condition, with some wear on wood base.
Brutalist wall sculpture by Curtis Jere comes in sheets of patinated brass, soldered and formed into the shape of a butterfly.
Brutalist 1960s abstract sculpture by Emanuele Scarnicci (b. 1916), with two elongated dancers in bronze
A mid-century bronze sculpture depicting an Egyptian styled cat.
A mid-century torch-cut steel sculpture in brutalist manner.
A bronze sculpture by Javier Marin (Mexican, born 1962) depicting a 'Man on a Horse'. Good condition, some residue from casting. Signature on sculpture.
A three dimensional wall sculpture in the Brutalist style, signed Bijan '77 with two men playing tennis.
An antique bronze Japanese sculpture of a tiger, signed, on a carved wood base.
Ram head bust sculpture in polished brass.
A mixed-metal abstract kinetic table sculpture by Curtis Jere (C. Jere), circa 1980’s.
A vintage bronze sculpture of a female figure. the piece has abstracted features and a "rough"finish. -Reduced from $1500
Rendered in the Expressionist style this vintage bronze sculpture, by French sculptor and ‘forgeron d'art’ (art blacksmith) Jean Marc of Cordes-sur-Ciel, created in 1961.
Don Freedman wall sculpture of overlapping hoops in various sizes and heights; alternating silver and bronze tone metals.
A brass sculpture of a highly modernistic abstracted antelope skull, with beautifully elongated glass horns, set above a hexagonal base.
Brutalist manner sculpture of a tree, entirely in rough textured bronze, created using lost wax casting.
A large mid-century modernist style patinated bronze sculpture of a stylized tall female torso.
A brutalist abstract sculpture in welded bronze with partial gold patina, made by Vandevoorde in the 1960s/1970s
Curtis Jere 1970s Brutalist wall sculpture of a billowing tree, crafted of mixed metal.
A Brutalist abstract sculpture made from welded car bumpers by Jason Seley (1919-1983), sculptor and dean of the Cornell University College of Architecture, Art and Planning. Excellent original condition, with some wear of age. Serial number etched in.
Edmund Gomanski's Jugendstil sculpture of Isadora Duncan in bronze depicting the infamous dancer posed for a dance in the nude with only a sheer scarf around her bust.
A vintage circa 1960's-1970's Brutalist sculpture in the style of Alberto Giacometti, depicts two abstracted long-limbed figures in motion suspended in time, in rough textured molten bronze.
A trio of 18K yellow gold stacking rings by Black, Starr & Frost. Rings are set with cabochon amethyst and pink/green tourmaline. Weight: 20.40g Each ring 5mm at widest; 16mm wide when stacked.
Giacometti table lamps in a matte white finish.
Organic Modern inspired amethyst on stepped silver plate base.
Hammerman Brothers brooch in 18k yellow gold and platinum.
Daum France limited edition Coupe Lacrima compote designed by Andre Dubreuil in 1990 with blue crystal mounted in brass.
A mid-20th century Bjorn Wiinblad needlepoint depicting a muscian, under glass in a brass frame.
A French Art Deco carved and ebonized wood figural cigarette and tobacco humidor vessel in shape of an elephant, with chrome detailing.
Arne Jacobsen Swan Chairs designed by Fritz Hansen for Knoll upholstered in bright pink.
Fontana Arte manner 12 light chandelier, Italy 1950s, brass frame featuring smoked glass rings.
Pair of giltwood consoles from the 19th century in the style of Louis XV. Includes custom marble tops in deep red.
A faux bamboo bench in polished brass. Produced during the 1960s in the Hollywood Regency style.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A vintage mixed media abstract expressionist inspired artwork titled "Tomorrow, Tomorrow, Tomorrow"by Barbara Quackenbush (1929-2012). The piece is composed of painting and collage elements. Barbara Quackenbush split time between Harrisonburg, Virginia and Fort Lauderdale, Florida. She graduated from Virginia Commonwealth University and continued her artistic training at George Washington University and the Corcoran School of Art in Washington, D.C. and exhibited locally an nationally throughout her career. She passed away in 2012.
A pair of Barcelona chairs dating from ca.1970.
Figurative gilt bronze timepiece by Max Blondat in the French art nouveau style. Inscribed with the artist's name "Max Blondat" and from the Valsuani foundry.
Large Joel Myers for Blenko Decanter #6954 in blue handblown glass with pontil on bottom. This piece still has a partial foil label, pictured. Made in 1969 in Milton, West Virginia. In excellent condition.
Modern late 20th century pair of swivel slipper chairs, with red suede upholstery, raised on chrome pedestal bases.
A pair of fireplace chenets after Caffieri in the form a pampered pooch and playful kitten atop luxurious cushions, produced in gold-tone bronze.
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